The 'What Is This About' Department Newsletter: The 15th Continuous Issue

Welcome to the back alleys of Note City. It is time to blow away your Monday. Once again, reports have arrived from 'What Is This About' Department correspondents all over the world that are so 'what is this about' that I have no idea what they are, so I am sharing them with you all.

In June, I entered the Creative Awards. Thank you so much for your support. The feedback I received for the Creative Awards this week is also displayed at the bottom in the 'Occasional "What Is This About" Exhibition.' I have received feedback from about 50 people. I am truly grateful. I hope it reaches you every day.

Let me look back for a moment. After working alone for about three years, reports were not even reaching 20 in March, but in April there were 175 reports, in May it exceeded 540 in one month, and in June, which I think was the peak, there were over 880 reports in one month. A total of over 1,600 'What Is This About' entries have been collected, and I have spent 15 weeks providing commentary for all of them. This is a record, and it also becomes a history of seriously enjoying nonsense. It exists only here. There are no two things that are the same, and it is the result of a chain where each person is enjoying themselves and expressing their emotions.

Without a doubt, 'we are creating entertainment while having fun.' This is the back-alley culture of Note City. Thank you every day. For now, that was my report.

However, what I do will not change at all. The number of people sending in nonsense is definitely increasing, and it is just starting to get very lively. This is just the result of you all being 'strange people' somewhere, which is why you were intrigued. I don't think you can say out loud in public that you are writing 'What Is This About' entries, so please be proud of it to your heart's content here before you head home.

This newsletter follows #WhatIsThisAbout. For usage, please refer to the correspondents' articles below. No matter how you use it, it will become 'What Is This About.' As long as you don't forget the hashtag, I will collect it and make something of it. Please feel free to enjoy your creative work.

This newsletter is an entertainment created by me, the writers, and you, the readers. Since this is a place where I am explaining things that I don't even know 'what they are about' in the first place, and there is not a single shred of truth, please return safely to the main stage of Note City without getting lost for too long.

Now, writers, please feel free to pretend to read everyone's articles from the table of contents guide board and proceed to your own. There are many traps. There are several people who are not in just one place. Please be very careful where you step.

Readers, please try to simulate my week and consider what is happening.

This is Momohiro-san.

Finally, Momohiro has reached the first prize. After continuing to say I like Momohiro, it has finally happened. This time it is not out of consideration. It is 0:00. Did they aim for it, or was it a coincidence? Either way, Momohiro's literature never wavers. The ending theme that plays at the end. When they do this, the worldview becomes even more pressing. I feel like Momohiro's 'What Is This About' is starting to evolve in its own way. The second piece, the season of insects. A story about Momohiro and a beetle. Momohiro is not someone you can deal with easily. The third piece, a story about a cat holding something in its mouth. When they depict this kind of tempo and distorted human relationships, I feel it is truly Momohiro. They are creating within a complete worldview. However, I don't know if it is all 'what is this about.' The fourth piece, Momohiro's version of In Praise of Shadows. When you notice the shadows trying to consume Momohiro, you have to say 'What is this about?'

The second prize goes to Asuka Sakurai-san.

She is indignant about bird droppings. This is a change of perspective. Instead of someone else, Asuka-san is cleaning up droppings again today. This is piling up. It is definitely piling up. I don't know what it is, but everyone is grateful. The birds also properly chose Asuka-san to do their business. Because she cleans it up. Thanks to Asuka-san, the city is kept clean. Surely a good reward will come back. The second piece, I was nervous about the reply to my confession in the title. Three electric fans are running at medium speed at full capacity. was reported, so from now on I will fan you with all my might. Since she said she challenged a paid article, I will leave it here. The challenge is wonderful. The third piece, a daily conversation with her master. When I feel like I am talking as a master, I think what a good daily life it is. Environment is important, isn't it? The fourth piece, finally a scoop from correspondent Asuka Sakurai. I was excited. The 'What Is This About' Department was in an uproar. Even though there is only one person. Correspondent Asuka Sakurai went to grab a scoop while sleepy. The 'scoop' that makes absolutely no sense is wonderful. The fifth piece, shopping at a 100-yen shop. No matter what you buy, it should look good, but I want to ask why you bought that. However, it is cute so it is okay. I will answer your question. I am a DAISO person. The sixth piece, she introduced me. The sixth piece this week. She is getting quite deep into the back alleys. Please make sure you don't lose the exit.

The third prize goes to Norikana-san.

I really like this expression of Norikana-san's. The story progresses while the images are visible. There is emotion in the poem-like short story, and I don't know if it is fact or not, but there is a person there. It is wonderful. The second piece, she writes about things you cannot do anything about when you are helpless. When you cannot easily say 'I understand,' it seems there is meaning in waiting for the other person's words. The third piece, she is thinking about letting go of her smartphone. If the smartphone is freeing her heart and helping her create, I end up wanting her not to let go and to keep creating like crazy. Because I want to read it. The fourth piece, it seems she got a smartphone to accompany her creative work. I don't know about the charger. The fifth piece, the smartphone charger has arrived. I felt a sense of relief as if I had read one story through this smartphone trilogy so far. The sixth piece, she feels a story in the rain. The seventh piece, I think the time will come when you can find the answer yourself. I support that. The eighth piece, is there no other way but to keep facing yourself to recover from a sense of loss? While hoping for something to change, I also think that not changing might be the time needed right now.

This is Rio-san.

A scream in the middle of the night. It soaks in. She talks about herself while letting us peek at her true feelings. Her way of life and her worries. She writes while thinking about what she is carrying. I was very grateful to be able to read such a story. I think everyone has their own thoughts in the same way. Thank you for writing that. However, I must report that I thought this person was also 'strange' somewhere because of the 100-question corner that suddenly appears in the second half. And the second piece was reported as 'What Is This About,' which is the 6th episode of the serialized 'Hikoboshi-kun.' Since it was 'Hikoboshi-kun' that I see from time to time, I think there are many people who like it, but I was suddenly called in at the 6th episode and didn't know 'what it was about' at all, but since it was conveyed that it was just fun, I chose to be happy without pursuing it myself.

This is sanngo-san, who resonated with Rio-san.

Reading Rio-san's article, I thought it must be a cheer, and my heart was moistened. However, since sanngo-san said that she only gets spoiled by handsome men, I couldn't stop my heart from fluttering. It is a mystery that I am witnessing this kind of exchange of expressions, but since I was able to inform everyone here, I thought it was okay. It is a good exchange of letters.

And, sanngo-san who talks and sanngo-san who is trapped. Furthermore, sanngo-san who talks.

Regarding your thoughts on the drama, for some reason, I can feel the allure of a woman speaking about jealousy. Even though it's a serious analysis, I find myself drawn into the way it's told. In short, I am captivated by the necessity of jealousy that sanngo-san explains. It's a troublesome thing. And that is how I receive energy. For the second piece, on days when your luck is down, you are just saving it up. It will surely come back. Let's just think that being safe is lucky. And I don't understand the economic talk. For the third piece, it's about daily life with a super beauty. When it comes to 'super,' they have already reached a certain level, so I think it's fine to just be by their side, share in the experience, and make witty remarks. It's interesting.

It's Ayano-n-san.

Ayano-n-san, who stood up in place of the department head. She introduced her friends and is working hard on Buddhist image tracing. My mission every time is to comment without knowing what would be 'out of bounds' after being thrown into this world I don't understand. Furthermore, since this is a newsletter and I am witnessing a place where all members will likely comment, I think this might be a corner for laughing at a man who makes misguided comments. However, everyone's art and photos are truly amazing, and I find myself staring at them. I have no idea 'what' they are.Heart is more important than technique. If you have heart, you will repeat the act of drawing, and your technique will be polished. As your technique improves, it becomes easier to convey to more people. The time spent drawing accumulates within you.I feel like Ayano-n-san is writing something important here. I don't understand it at all. For the second piece, Ayano-n-san was a teacher among teachers. I was wondering if I would be moved by the story of Michael, but it was a level of emotion beyond that. Ayano-n-san was a member of the Demon Slayer Corps. Since the back alley is, if anything, on the side of the demons, I had mixed feelings. For the third piece, it was suddenly reported that Ayano-n-san exists in Hachinohe. She went on a trip to reaffirm her friendship with a high school friend. I would like to feel the journey while accompanying her. As expected, she is art-viewing without missing a beat, but since the impressions are professional, I don't know 'what this is about'.

Rio-san's enthusiasm before this week's Miruko Princess.

Finally, a suitable aide has appeared for the back-alley princess, 'Yura-Yura Miruko-san.' A one-person Rairan project.'I will definitely comment on the princess's articles'was the goal. I have been continuing this newsletter for fifteen weeks, but finally, a truly 'strange person' has appeared. And they are reading the comments very carefully and conveying them to Miruko-san. I want them to reach the goal properly like this. If they do, there might be a reward. Here, I will explain once more about the back-alley princess, Yura-Yura Miruko. Princess Miruko's 'strangeness' is that the amount of articles published in a day and the interesting content are unthinkable for a normal person. You should think that you are reading and seeing something unbelievable. Moreover, the way of writing and expression has become more detailed than at the beginning. Because of this, she has started to attract even more people. As a result, I am reporting that an aide has been born in this way. Everything is inevitable. I cannot take my eyes off what will happen in the future.

Monday's Yura-Yura Miruko-san.

She begins to vividly talk about her encounter and experience with a rhinoceros beetle. Is she excited because summer is approaching? If we were to hold a 'What Is This About' meeting, it is decided that we would all go bug catching and then have a meal together. For the second piece, it seems she is seeing a world of reversal in the starry sky, but I didn't understand what she was saying at all. However, since the comment section is lively, I assume Yura-Yura Miruko-san is writing something wonderful. It's difficult. For the third piece, she declared that she wants to catch a long-tailed dragonfly this year. It is better than anything that she has finally developed an awareness as a member of the Living Creatures Club. It is a very high-quality insect essay.

It's Kuromameshiba @ Secret Notebook-san.

Another horse racing fan has appeared here, saying you can predict the outcome by looking at a horse's rear. But more than that, Kuromameshiba-san is starting to think about what to do after retirement and goals for a second career. Moreover, the advice from his wife is also spot on. A couple that is close in every way can think about their future life together, can't they? I'm learning a lot. For the second piece, I received thoughts on the Creative Grand Prize. I can't write thoughts on thoughts, so I read them with joy. Thank you very much. It is also exhibited at the very bottom in the 'Occasional "What Is This About" Exhibition'.

It's Hiiro-san.

That person participated in the short-short story contest so as not to be exposed as a back-alley resident, but then let their guard down by writing the punchline. They let their guard down and sang the 'What Is This About' song. They wrote about tempura, cut off the oil (abura), and said 'What Is This About' song (nan no hanashi desu uta). The phrase born from that is 'Yudan Taiteki' (carelessness is a great enemy). It's cute, so it's okay. For the second piece, they shouted 'What Is This About' from the start of Rairan, and I thought it was 'Zhuge Liang's trap,' but since momentum is important for a start, I will support them.

It's Akira Yamane-san.

This week, Yamane-sensei started with a kiss. He is trying to gain insight from a kiss on Monday. As for me, I thought I would start by thinking about various people to kiss. It looks like it will be a fun week. For the second piece, it's a short story written in English. I translated it and read it. A delicate emotion where I don't know 'what it's about,' and the protagonist swaying in the sentimentality of someone always 8 years older. I was reading it very happily, but at the end, they shouted. Only that part was conveyed without translation. It clearly conveys 'What Is This About.' It's a waste, but it's the best.

It's Mukumi-san.

Thoughts on last week's 'Ichiban Fuku' (First Good Fortune). I don't quite understand what you're saying, but I'm grateful that you wrote it with enjoyment. For the second piece, it's a travelogue taking advantage of her partner Mossari-san's business trip. Does she say something like 'I tagged along'? I'm envious. When I think that everyone is having such dramatic developments, I've started to envy all the travel between men and women in the world. For now, it started with 'Hitsumabushi.' I think I will follow along. For the third piece, she suddenly announced her love for Taro Okamoto and went to see the Tower of the Young Sun. There are many Taro Okamoto fans in the back alley, so please take a look if you are interested. For the fourth piece, it's an izakaya date. For the first time in a while, the words 'I'm envious' came out of my mouth without me thinking. It looks fun. For the fifth piece, she is enjoying it so much that she forgets that this date is taking advantage of a business trip. I envy adults. She reported that she likes jellyfish. There is a part of me that can't honestly be happy for her. I think I'm just envious after all. I'm only saying I'm envious. For the sixth piece, she is satisfied that eating soba and having matching sensibilities makes being together fun. I was also able to witness that and was very satisfied. Thank you for the meal. For the seventh piece, it's an episode about a childhood friend recalled by a message from her mother. Like me, I don't know what triggers the opening of one's memory door. What kind of ending will the memories that Mukumi-san opened have? I think it's a continuation, so I'm looking forward to it. It feels like I'm tracing memories together.

It's Kei-san.

I thought I would stop writing thoughts on thoughts, but it's Kei-san after all. The expressions are interesting and I get drawn in. What kind of person is this? For once, I'm curious about the person on the other side of the screen. My job as an expedition leader seems like it will end if I can find 'Kei-san.' This is also exhibited at the very bottom in the 'Occasional "What Is This About" Exhibition'.

It's Persi-san.

It's getting more and more interesting. Aren't you gaining something every day from the expressions of various people in earnest? It's becoming more and more polished, and I don't know 'what it's about' anymore. For the second piece, I get the impression that the way of speaking is becoming a writing style. Has a style been formed? I've started to be able to tell who wrote it, but I don't know 'what it's about' at all. For the third piece, it's a smoking cessation declaration. For now, I will watch over it. For the fourth piece, they are already seeing hallucinations from the withdrawal symptoms of quitting smoking. I will watch over it. For the fifth piece, they are looking back that it was a hallucination after all. What will happen to the non-smoking life? For the sixth piece, they are sharing a story that if cigarettes are no good, they will move on to alcohol. This week is hard-boiled. For the seventh piece, they are writing that the girlfriend who was a hallucination might have actually existed. It's not settled at all, so it might finally be an arrest.

This is Mashako-san.

She came at us with a creative piece. She wrote herself that it's quite intense, and it truly was. It creeps up on you with a shiver. A woman's deep emotions, why flowers are beautiful, and the shallowness of men. It's short, but because what she wants to convey is so clear, it's incredibly startling. How is she able to write things like this? I believe she enjoyed writing it. I won't press for details. There is meaning in blooming as a "What is this story about?" flower. It was interesting. Mashako-san, I don't know if you're reading this, but this back alley where you can stop by anytime exists. Take your time.

This is Nausicaa of the Wind's Song.

This is the four-part plum work series. Finally, the plum jam has been completed. Ever since I commented that she should make plum jam, I finally encountered the real plum jam. It looks delicious. I've been watching over it the whole time, and my only regret is that I ended up just watching until the end. There were no reader gifts. Let's wait until next year.

This is RaM-san.

She records that she received feedback on her Creative Award entry.I choose to 'write' after all.It might be natural to be drawn to someone who can write properly like this. It definitely takes courage to write down one's intentions so clearly. Even so, I thought it was cool that she wrote it and tried to convey it to the other person. From here on is my personal support, so I'll leave the Creative Award entry article here. Please read it. The third one is about memories with books. I report that this has made me resolve to read "Become the Wind for an Instant" and "Moribito: Guardian of the Spirit" again. The fourth one, the magic of Panya-nyanda continues. Knowing myself and writing it down, I am casting the magic of Panya-nyanda on myself and others. It's a wonderful reflection.

This is RaM-san's new short story from the back alley.

The beginning was nothing more than a delusion, but before I knew it, short stories were connected to form a single narrative. Since I am being used as a model and co-starring, I finish reading it every time with a grin on my face. The stage setting is completely prepared, and I can feel the worldview she wants to depict. I want to follow what happens next. I'll leave the magazine and the prequel/sequel that serve as the lead-up to the story here. Let's enjoy it slowly while drinking coffee and thinking, "What is this story about?"

This is Mayo de Sengan-san.

It's a problematic work. It's a grandly problematic work. It ranks high even among the many problematic works in the back alley. Don't ask what they are doing. Don't say "What is this story about?" either. Just accept it as it is. Well, I can't hate it; in fact, I like it. I also like that I enjoy reading it. The second one, they returned immediately to take back what they lost in the first one. It's cool. The cool side of Mayo-san has appeared. It seems their meeting is dealing with the era. Mayo-san's ruggedness is best utilized in expression, so it's the best. I want you to keep writing as long as you don't make mistakes in your private life. The third one is not a story, but Mayo-talk. I want this as a series. It doesn't matter what the original story is. In other words, "What is this story about?" Mayo-talk. Interesting.

This is Hii-san. The announcement of a new work in the Matilda Rumiko series.

This is a masterpiece of a bizarre book series sent from the back alley. The fans have become so numerous that they can no longer hide. A woman named Matilda Rumiko. Even though I introduce her every week, the structure is such that no one knows who Matilda Rumiko is, which makes the fans writhe in agony. You can only meet her for 54 characters per episode. It's a miracle that there are more characters written by fans than by her. Even reading the whole thing takes less than a minute, and no one knows "what the story is about." Yet, everyone loves it. That is Matilda Rumiko. It's also great that the magazine is explained in English for no reason.

And here is the new main story of Matilda Rumiko by Hii-san.

I never thought I would be able to read a new main story following the new spin-off. As expected, the Matilda Rumiko of the main story shines. I'll leave all the works here. You might be Matilda Rumiko yourself. And in the comment section of the new work, the authorreveals the behind-the-scenes story of the day Hii-san met Matilda Rumiko.

This is Makikura Minomushi-sensei.

A new back alley novel is out. It's a full-scale mystery where only the mysteries deepen. Finally, one heroine has appeared. It's a work where you have no idea what will happen, and you don't even know "what the story is about." Episode 8, a heroine to my liking has appeared. If it's a romance novel, I'm looking forward to it. However, it's well-crafted. You are demonstrating useless talent. Episode 9, I feel like the scale is getting bigger and bigger. I have high expectations for Makikura-sensei's skills. Before I knew it, it's episode 10. I'm drawn into the developments that I can't predict. Episode 11. I feel like the author is having a lot of fun. That guy has appeared. I learned that he had firmly established his position in the back alley before I knew it. I was a little happy. By episode 12, the queen flag has been raised. What on earth will happen? And, the "I don't care" department report. I can't say it's "I don't care." I haven't read it, but they are playing a big role. What an amazing week. Makikura-sensei.

This is Hanemiya Itoyo-san.

Thinking she was thanking me for the introduction, she is actually showing off her work as a double agent by introducing her favorite character under the guise of gratitude. It seems she even belonged to the "I don't care" department, and she doesn't seem to know where she belongs herself. The one who helped her at such a time was her favorite. As long as you have your favorite, most things in the world can be solved. The second one, she writes "What is this story about?" when she is introduced. It's finally starting. It seems she doesn't know the exit, so she might be opening a shop in the back alley in earnest. The third one is a short-short. Why does adultery happen? And why do people know about it and enjoy it? If you are in a company like this, you might understand. And for some reason, she is recommending adultery-related reading. Is it a metaphor for something? Or is it a message? Since there is a possibility that Hanemiya-san is putting codes in the body of the article, I don't know if everything is "what the story is about." The fourth one is a tanka poem. More surprising than that is the report.Hanemiya, who drank ramune when she was in elementary school and has no memory of drinking it since then.was shouted. No memory of drinking ramune. That can't be true, so I want her to remember it soon. I'm worried. The fifth one, knowing the habits and getting closer to the person's character. That's what I thought, but with the constant suspicions of being a double agent or an assassin, I think this introduction is also an act. She has established a character that is in the fog no matter what she writes. It's wonderful. The sixth one, she asked me to introduce the favorite she is currently obsessed with as "What is this song about?" I'll post it. How is it?

This is Fuji-san.

Based on actual experience, he recommends heat acclimatization as a countermeasure against this summer's heat. It's a truly useful article, and he gave us a warning that we should heat acclimatize from beginning to end, but what is heat acclimatization? The structure is such that you tend to forget the heat acclimatization he went to the trouble of teaching you because of the appearance of Ashita no Joe here and there. As expected. The second one, he writes about his daily life in a heartwarming way. I like this story. It's overflowing with the "What is this story about?" of daily life. I think people who enjoy daily life as daily life are wonderful. I don't know "what the story is about," but I understand. The story of the remote control's adventure. The third one, even though it's short, it's used perfectly in a "What is this story about?" way without any waste. Who on earth is he? I think he was in the back alley from the beginning.

This is Fleurette-san.

It is a journey of spiritual exploration to see if it is okay to continue writing while traveling around Kyoto for her own novel. I even feel the illusion that this article itself is inside a story. What is being depicted in Fleurette-san's mind? I still don't know, but the balance between the photo comments and the article is so cute that I can't help but smile and read it.

This is wsd983320987-san.

This is already the sixth installment. The latest work from the star of the back alleys. "Eureka and the Star." The Eureka depicted by the Star is a Eureka that transcends the truth of Eureka. Even though I don't understand it in the first place, the Star is someone who can make it even more incomprehensible. It's the best, as expected. Please enjoy the mollusk Eureka together.

This is Iovehert-san.

On the third day of Karuizawa, I started missing the back alleys and shouted, "I want to return to the beautiful back alleys." That is problematic in many ways. I am traveling, doing Stand.fm, and enjoying myself. Writing that a fun feeling is fun makes those around you feel fun too. It's the best. The smile of my partner Sebas with his soft-serve ice cream. It's addictive. Please take a look. The second piece is an article where a laid-back minimalist shows off a pair watch and I got jealous. Happiness is drifting from it. The third piece is a send-off party before writing. It is full of spirit.Since I only have housework, play, and note, I think I should be able to do it.She says with enthusiasm, but I must inform you that everyone simultaneously retorted, "Don't you have Sebastian too!!" The fourth piece is a passionate report about curry. When I saw the photo lined up on the dining table, the words "That looks super delicious" came out of my mouth. It looks like a restaurant. The fifth piece is a serious consideration about writing, but she keeps shouting, "This is how I use 'What are you talking about'!!" Fundamentally, facing "What are you talking about" is wrong, but it is a strange structure that is conversely cute and increases her likability.

This is Sou Machi-san.

A report about high blood pressure. High blood pressure and the release of a new book. The state of mind facing that. It is expressed properly. However, health comes first, so I want her to live a proper life. If she tries to cut back on alcohol and live a regular life for about a week, I feel like she might be able to read something completely different and interesting. Please give it a try. There are many people waiting for your work. Tuesday, the writer's battle for expression. It is fun because she really writes about the behind-the-scenes. And, she reports that there was a 'like' from an editor who is appealing. I don't know if they are reading it or not, but since she left a comment for the person themselves, it doesn't make sense. Mystery elements have emerged. Wednesday, I feel Sou Machi's kindness and her resolve as a writer. It is a wonderful essay. Three years as a writer. I have also been at it for three years without running away. I felt somewhat funny. Thursday, the battle of the writer Sou Machi has begun. It conveys that she just wants to write something interesting, but it is a mystery that I don't know "what it is about." Friday, it seems it is true that writers escape reality when they are cornered. She is jumping around like Sou Machi. Saturday, I learned the greatness of a possession-type writer.I have unified the recognition that all historical figures are "people who are already dead."Therefore, she says it is fine not to know history. It is written by a writer who has many historical figures appear in her novels. It is not impossible. Since Sou Machi is not writing lies, it must be so, but I was excited. Because I definitely couldn't write it myself. I got goosebumps. Sunday, she seems to want people to tell her their support and what they like. She is a needy one.

This is Hiroiten-san.

I get the illusion that they are performing a comedy sketch. It is truly amazing to think of short-shorts like this every week, but for some reason, they continue to challenge the reckless task of thinking about it with "What are you talking about" as a prerequisite. The back alleys love people who are a bit crazy.

This is NITTO, Futoshi-san.

It is just as the title says. It seems they tried writing a novel with generative AI. For some reason, they shouted about it in the back alleys. It seems they want me to introduce it. They are completely in the wrong place to introduce it, but I will introduce the article with all my might. I am glad I was able to discover something that was about to be lost. They wrote that they were happy that I read it. Next time, please report that you were happy that the back alleys found you. I also have AI suspicions following me, so I will use it as a reference. I will leave that talked-about novel here. The second piece, they are shouting about their feelings toward things that disappear. I often feel the sense of loss when something that had always been there disappears. I feel that perhaps what we can do is to record the things we have lost and leave them behind. So, perhaps short stories about memories with AI will unfold in the future. If that happens, I won't even know whose memories they are, so it is the completed form of "What are you talking about."

https://drive.google.com/file/d/16VgtWZ7186SQpvsRC-JRjTA65UrPlK1r/view

This is Hiiragi Fujimoto-san.

I didn't think it would be expressed like this. It is sweet. A sweet scent drifts, and it feels like I am being seduced or trapped. It is comfortable, isn't it? I wonder if it is easy to use as a subject matter when creating. "Rumors," "Back alleys," "What are you talking about," "The man who wrapped a snake." Even so, I can't write something like this. It is amazing. It is fun.

This is Charirere [Sometimes Gian]-san.

It is a poem. I have been bad at deciphering poems since long ago. There was a time when I thought it was difficult because I felt the content would change depending on whether I accepted it as is or interpreted it differently. However, I started to think, "Why did this 'word' come out?" When I do that, I feel like I have gotten closer to the author in my own way. This poem felt like a cool poem where the person was worried and worried and couldn't find an answer, and instead of relying on others, they were moving to change themselves and accept it. It resonated with me a lot. This is my impression. I haven't read it yet. The second piece is "Very Important Things" written by a 29-year-old forever. I might be thinking too much that I know myself by myself. They face it properly and put it into words to convey it. I hope it reaches someone who needs it. Thank you for using "What are you talking about." I haven't read this one yet either. The third piece is a creation, but it is somehow cute. I think it would fall into the scary category if it actually existed, but perhaps I personally like this wrong-headed straightness. However, I don't know "what it is about."

This is Tsukasa Tadano-san.

Since it is 20 characters, if I were to explain it, "That is parent and child"
↑ This is a 20-character explanation of 20 characters. (Including symbols). The second piece, I really feel a sense of depicting this daily life. Tsukasa Tadano-san's way of looking at things and the expression of how they grasp things show so much individuality that it makes me think while reading. But I don't know "what it is about."

Tuesday's Yurayura Miruko-san.

I think this is a miracle. Miruko-san wrote from the perspective of the one welcoming, and Makko wrote about the state of mind of the one being welcomed in the comments section; I teared up wondering what I was witnessing. The drawback is that I don't know 'what it's about.' The second piece is a mosquito coil story. I understand it well. And as the author themselves feels, this is not a 'poem.' It's a short anecdote. The third piece gave me a sharp pang. It reminded me of myself. But I can't face it. Even now, it's impossible. I don't even have regrets. Even if my own parents thought this way, well. It's a very good article. The fourth piece, they were shouting that they wanted to join the Buddhist statue carving club. They are proposing a way to get closer to Buddha. Miruko from Nara has reached enlightenment.

It's Genchon-san.

Genchon-san, with his long hair, has finally reported on the pros and cons of having long hair. Since these are just personal impressions, nothing will come of reading it. However, when you read it, you think, 'What are you talking about?' It's a perfect usage, so I would definitely like to wield the scissors when it's time to cut that long hair. If we all hold a hair-cutting ceremony together, that in itself would be an article. And that is the benefit of 'being able to hold a hair-cutting ceremony with the hair you've grown'.

It's Pote-san.

A report on being stung by someone with stealthy feet. Is this to get pumped up before the start of the 'Lai-Run'? It seems they were done in grand style. For now, I want them to write what they can, empty themselves out, and start the 'Lai-Run' with a fresh feeling. At this rate, it looks like it will be 66 days of talking about centipedes. Get well soon.

It's Watanabe Seijin-san.

They gently teach us how to think about and perceive illness. When I read this article, I was reminded of 'The Deer King.' That's because it's a book that talks about how to perceive medical care. I suddenly remembered that even though it's fantasy, I felt they were saying the same thing as Watanabe-san, but my memory is hazy. And if I were to encounter illness myself, I felt that rather than just relying on others, I would want to explore possibilities, verify the factors, and move myself even when it's painful. It's an article where I can't say 'What are you talking about,' but it proceeds in a direction where it's unclear 'what it's about,' so it's adopted.

It's Miyu💕-san.

Once again, I was invited to a world I don't know. It seems they are participating in a tanka project. Even though it's a lovely tanka, for some reason, I was shouting 'What are you talking about?' here too, so I had to conduct a professional interrogation. During the investigation, they confessed that they are currently participating in the project by Even This is Mother🐿️ Minmin-san. It seems there are detailed rules, so if you want to participate, please try knocking.

It's Hanemiya Itoyo-san, who is participating in the same project.

This beautiful tanka was also for a project. Please take a look at Hanemiya-san, who couldn't let the beauty end as beauty and brought out the 'What are you talking about?' It's the best.

The world of koedananafushi

Belonging to the insect world, she is using words that are incomprehensible to everyone today, such as 'People say to me, "You must be liked by animals," but I say, "No, we are equals, so we keep our distance," which is the phrase that describes me.', but to me, it's perfectly understandable. That's right. It's not something to get familiar with. It's an exhibition for insect lovers, so if there are any other insect lovers besides me, please contact me. My SNS previous job was the manager of the Living Things Club on Instagram.

It's Hasoya M-san.

They are recording important things for continuing on note. It seems to be their 4th anniversary, but I feel like they are doing the same thing as me. I feel like they are sticking to it. After all, various things happen and various emotions are born, but it still seems wonderful to stick to it. Well, since that's all I can do, if it's called an excuse, so be it. But to me, it looks cool. The second piece is an entry for the comic essay category. Even though it's enjoyable with just the illustrations, an incomprehensible text is added, so this. Isn't manga really fun? It's a narrative style like Kamigata rakugo, dragging it out just with the hairstyle. I just wanted to say Kamigata.

It's Shizumori Ako-san.

They are revealing their worries about how to express themselves head-on. Is it because they are searching for words and facing them within themselves that even exposed emotional expressions feel beautiful? When I read writing like this, I get pulled in completely. I think about how I am. I was given a grateful opportunity. Let's swim while sinking. The second piece records the owner of the voice that is converted in the brain when reading a book. I learned that the brain voice when reading this Shizumori-san's writing is completely female, and rather, an ideal voice. It seems I have to go find this woman in my head. The third piece was a thrilling letter. Is something starting to be seen? I hope they can write a story that suits her worldview. Once it's completed, I'd like to go on a date. ← If I write it, it usually comes true.

It's Ganmo-san.

When I make a retort to this kind of story in the title, I usually think I won't fall for that trick, but with such repeated expressions, I actually want to participate myself. That's right. Before I knew it, I was shouting along with them. 'You've already graduated, haven't you!' It's funny, but I have no idea 'what it's about.' It's the best.

It's Kojuro-san.

This week, first, you reported a lack of fashion sense. Even without fashion sense, you have excellent massage sense, so it is fine. The second piece, as you read from gum to massage, it is a 'What Are You Talking About' confection that gets better the more you chew on it. You are becoming flawless. You are flawlessly useless. It is the best. The third piece, it seems you made a wish for a full run on the first day of Rylan. You can get closer to the goal by as much as you massage. Let's do our best every day. The fourth piece, I report that I learned about letter openers for the first time. I felt embarrassed for the first time in a while. The fifth piece, it is gourmet time disguised as a diet. This week, you are also successfully introducing delicious gourmet food. Rather than the success of the diet, we are all excited about what will be introduced. The sixth piece, I want you to return the impression that you were someone who writes wonderful short-shorts. I could clearly hear the sound of summer ramune. I thought about giving you a massage for this too, but you performed a stunt of creating a story in combination with the second half project. It seems you have been pulling off this 'stunt' of a grand feat for nearly a year now. It is interesting that this is properly established as a story, but since it is too much of a stunt, I will skip the massage. Thank you for your hard work this week.

This is Kasakuji-san.

As people of the back alley, we had almost forgotten what 'What are you talking about' meant, but this is what it means. Recording daily life. This short story is packed with the daily life of a family. That's right. Family is supposed to be a pile of unreasonable things. Kasakuji-san stood up, saying that family isn't just about being warm and fuzzy. As a vivid reality, she threw her young sister and made her back-alley debut. We also welcome follow-up reports on the older sister.

This is blanche-san.

There are many people who only shout in the back alley when it comes to good articles. Well, as for blanche-san, there is a feeling that she has already become one with 'What are you talking about.' It is very calming that it ends with 'What are you talking about.' Blending 'What are you talking about' into good stories and good articles. This is literature. We have reached a point of no return, but it is interesting, so it is adopted. The second piece, you wrote 'What Are You Talking About Friday,' but it is interesting. I think that by writing down delusions or anything else, you get closer to something. I have already decided to make it my goal to use the line, 'I have to use it. I can't use it all up.' You are the one who created a millionaire.

Wednesday's Yurayura Miruko-san.

Continued, the rebellious eldest son and his mother. I think it would be good to make this into a magazine and give it as a gift when he becomes an adult. Or, if he gets a girlfriend, please give it to her. The second piece, it was memories with the second son and bragging. Being able to record family harmony and happiness is also part of happiness. The third piece, perhaps Miruko-san is the type who is easy to talk to and easy for people to intrude upon. Perhaps the danger comes from here. Since she seems to know how to deal with it, she might be a repeat offender. It means it is a mystery. The fourth piece, a report from Nara about loving stickers. The fifth piece, Miruko-san's articles when she expresses what she likes as she likes are very touching. It is a wonderful walk. The sixth piece, Taiga. Why don't you make a promise with someone to look up at the moon every week before Taiga starts? The seventh piece, she spells out what reality is with Yurayura Miruko's expression. It is a feeling I haven't had in a long time. This is the Yurayura Miruko style.

This is Hione-san.

A new installment of Hione-san's youth part-time job series has been reported. I don't know how many parts the part-time job series will have, but it is so interesting that I want it to be a series. The era remains. The stories of youth memories that Hione-san tells take me to that place because the descriptions are delicate, even though I am not there. I feel like it is an unforgettable memory for the person herself, but she enjoys it by recalling and writing it down. That is why it is fun to read. Perhaps I want to read it because youth part-time jobs feel the purity before touching society. Dagashi Kashi (cheap sweets) ← I am using it. I messed up only there. It is the best.

This is PTA Kaicho-san.

You reported that you like the disappointing feeling of old robots. I thought about it carefully. Why are people attracted to things that are lacking or missing? In the end, it is because they are incomplete. It is also because they are incomplete that we can see the good points of people. You are writing such articles, having fun, spending time, and laughing. It looks very incomplete and very attractive. It shines in the back alley, but I don't know if it will be taken seriously on the main stage. It is wonderful.

This is Nausicaa of the Song of the Wind After the Plum Blossoms.

You reported asking how about Fujii Kaze for the theme song of the back alley from 20 characters. Leaving the theme song aside, Nausicaa-san, Shouting love in a world of no+e that is free and like me, without comparing myself to anyone💓 you wrote these words in your article. Since I mostly only know you through 'What are you talking about,' I don't know what kind of Nausicaa-san you were before, but I think you are one of the people who has changed to be more and more fun since you started writing 'What are you talking about.' Just as the words say, you are properly shouting your own world with love. It is very fun to be able to read articles by such people. I haven't read it yet, though.

This is Rikku Sukimoto-san.

This is a report of paying a courtesy visit to the Tokyo Metropolitan Government on behalf of the citizens of Tokyo. Having lunch at the Metropolitan Government Building and going to the observation deck. Thinking about metropolitan administration while looking at Tokyo. You had a wonderful visit and are appealing for the importance of the Tanabata election. And, you finally exclusively released one piece of Sukimoto Rikku information to us: that you like high places.

This is Itsuki-san.

A storm of emotion visits at your husband's surprise. It is precious. I even mistook myself for Itsuki-san's husband because of your husband's insatiable collecting habit. I received courage. That it is okay to buy more. Thank you. Even if our favorites are different, we are comrades.

This is Mimosa-san.

Regarding cat ears, there was another report in the back alley. To summarize the breaking news, The purpose is to enjoy summer with songs while wearing cat ears, and for everyone to play together! Whether you like cats or hate them, don't hate the Cat Ear Village Festival! Let's all enjoy it, that's what it is (๑•̀ㅁ•́๑)✧ and I don't know what you are talking about, but I found an article about participating, so I will leave it here. I support it because cat ears are cute. Also, I found a song. I found the name Aki Fujiya so I couldn't help but leave it here. Is Aki Fujiya from the cat ear tribe?

That Fujiya Aki-san is before the final episode

It seems the story is reaching its climax. I was invited to a romance novel. At present, the existence of cat ears has not been confirmed. Since it is a work for the Creative Awards, I will leave the magazine here as well. I think people who can write romance novels are amazing. Even so, why use the 'What Are You Talking About' Department for such an important episode? It is truly the best.

It is Mayuyu~! san.

I am [Mayuyu~!], a migratory fish who is always moving around with my antennas spread wide with curiosity. With a loud voice, she reports on the completely mysterious activity of analyzing 'What are you talking about?'. She is completely misusing her curiosity. And although she seems to be doubting herself as to whether this is her 'What are you talking about?' debut, it is wonderful that she doesn't realize she has always been a resident of the back alleys and that all of Mayuyu~ san's articles so far have been 'What are you talking about?'. You are always welcome. For the second piece, the reward is ice cream. Please spoil yourself to your heart's content. Thank you for your hard work.

It is Osunu-san.

She is flapping her wings again this week. For the current Osunu-san, even her commute becomes an article. Encounters that visit like an inevitability. It seems the world revolves entirely around Osunu-san. I will also compose a haiku about a summer hat.
A summer hat on the center stage of Monday
It is Luffy. He is my support.
For the second piece, she reported that she is a Ginger Sunpyre. I am also a Ginger Sunpyre. Everyone, let's become Ginger Sunpyres. You created an amazing word. As expected. First of all, it is a word that makes you want to use it just from the design you see with your eyes. Ginger Sunpyre.

It is Tatsu-san.

Tatsu-san is a weekend cozy writer, but this time he has truly participated in the Writing Run. He must be crazy. I feel like he is going a bit too fast from his self-introduction, but I will definitely support him. For now, let's go steadily without rushing. On the second day of the Writing Run, he seems to be going to a company farewell party to say 'Take care.' By the third day of the Writing Run, he has already started dabbling in greeting messages. That speed of starting, which is by no means a waste. As expected of Tatsu-san. On the fourth day of the Writing Run, he embarked on an unprecedented review. It is a grand technique of reviewing 3 out of 66 minutes. At this pace, he will review about 14 more times. It is too interesting.

It is Henkou-san.

A note from the author of two works for the Creative Awards. It conveys that he must have put his soul into writing them. I will leave both of them here. They are major works, so please approach them slowly. The lower section, although it says side story, I feel something like the fragility within youth. From the writing style the author possesses, I feel the individuality of the work itself, and it might take time for the reader to take it in, but once you start reading and get into it, it expresses delicate exchanges of hearts while incorporating humor. I feel like anime-like visuals are floating up.

Thursday's Yura Yura Miruko-san.

It seems she wants to join the Living Things Club, which made me happy for the first time in a while. For the second piece, the challenge of the final hug has begun. A battle to leave it in both records and memories begins. I pray for your success. For the third piece, it is an amazing record of a conversation with a child. I wonder how she managed to record such a conversation. I hope it reaches the people who need it right now. Humans are interesting. For the fourth piece, she is doing activities for the Buddha Statue Carving Club. She is exhibiting an amazing Buddha statue. I want someone to find a person who looks like this Buddha statue.

It is Ookami Nomine-san.

She reported that she is aiming for 1000 religious services. She teaches us that ascetic practices and religious services are different. There are various things I want to retort, but I feel a refreshing quality that prevents me from carelessly jumping in, as it is an expression of an image walking skillfully on a boundary line. In the end, I get the feeling that she is just enjoying it by herself. As I write this, I might be told'You're one to talk!!!' That is what it is. It is interesting.

It is Bread and Cafe Nekonote-san.

It is a story about parents enjoying thinking about the bread requested by their daughter who is coming home, and it is not 'what are you talking about,' but in the world, this is called a good story. Thinking about wanting to please the person coming home, the time spent thinking is time used for others, not for oneself, and I think it is truly fine to call recording and leaving such things 'What are you talking about?'. I felt very happy, but the only thing is that I cannot eat that bread, which gives me an indescribable feeling.

Friday's Yura Yura Miruko-san.

It is an interesting house from the morning. For the second piece, the second son is thinking about climbing Mt. Fuji, but he is still in his swimsuit. I think he is the man who practices 'preparedness for freedom' just like the title. For the third piece, this is the joy and warmth of daily life. There is nothing special happening, but it is about having spent time together. For the fourth piece, it is the conclusion of the swimsuit. I was able to think that it was a happy day to follow. For the fifth piece, she is having a heart-to-heart exchange. It is unbelievable. She trusts the grandmother next door. It was such a good story that I read it three times, but it was indeed a good story.

It is Maiton-san.

For Maiton, life seems to be inseparable from coffee. When he writes, it looks pop, but the coffee and life felt behind it make you cry. Because a man who walks the path of bitterness depicts it interestingly, everyone is attracted to it. If the coffee element disappears from Maiton, it is no longer like Maiton, it might be Maitoso. 'N' and 'So' seem similar but become different things. For the second piece, it is an examination of the magic of women. An ideal woman beyond imagination who appears there even if her figure is not seen. It has long been studied that this is exerted by voice. This time, Maiton revealed the training he did in his student days to sharpen his five senses. I will announce my research results: it is voice and eyes. There is also magic in the eyes. There is a switch.

This is N.O.T.E.

I want to believe that you dared to come to this back alley to shout. I often find myself wondering how much you had to face yourself to create the writing style and sentimental word choices found here. So, this is your entry for the Creative Awards, is it? You are really chasing after a stylish way of expression. If I were to say something, it would be: come back and shout with me again. Thank you for livening things up. And of course, I have absolutely no idea what this is about. It's perfect.

This is kanakanakana.

You completely wandered in from the tags. Welcome from the main stage to the back alley. This is about makeup for your middle school daughter. The question is, where do you draw the line? Whether it's makeup, smartphones, or supporting idols, this is a grateful message for those at the entrance of their youth. Since you are speaking from personal experience, I am surely not the only one who ends up curious about Mom's own youth. Please come back next time with an episode from your youth, Mom.

This is Yasu.

You are talking about your dreams after the 'Rairan'. I believe that once you start talking about a dream, it begins to move, so I think this story will take some form. I'll be waiting for follow-up reports. I wonder what kind of excitement will be born from Rairan in the future. Running and creating together. I think that's wonderful. Just let me tell you that thanks to that, I am in a state of battle readiness.

This is Tamaharu Kinesiology.

It was not a story where I could say, 'Oh, I see.' However, Tamaharu Kinesiology is certainly conveying lessons from this story as well. I don't know why you shouted 'What is this about?' despite that, but if you can say 'Oh, I see,' then I want to welcome you to the back alley. I should let you know that the way you used 'What is this about?' is already not the way one uses it for the first time. Please come by anytime.

This is Yuni.

This is a report from a back-alley gambler on their first gamble. You told me about the time you conquered the university entrance exam war of the time, saying, 'It's interesting because you gamble seriously.' A gambler strong under pressure won the exam and built up even more effort from there. You reflect on life, saying that there are more gambles even after winning, and it's important to work hard and build up there too. As a result, you earned the title of Goddess of Victory. And yet, because of your usual gentle demeanor, the gambler hidden within you looks all the more attractive.

This is Shijimi | Spinning PDF files of the heart.

You are looking back carefully. That's right. It's already been half a year, hasn't it? I admire people who are trying to truly know themselves. You reported that you were picked up by the 'What Is This About' Department and your views increased, but this back alley has no such power. It is Shijimi's own power. Please come back anytime. I am grateful that you enjoyed it with me. I had absolutely no idea what this was about. It's perfect.

Saturday's Yurayura Miruko.

You reported that a marshmallow appeared in your dream. In my head, the Michelin Man popped up, thinking he might be soft and cute. In the second piece, you told your parents who are heading to Mongolia about a souvenir. It seems to be a long-cherished wish, so I hope you achieve it and show it off. In the third piece, you talk intelligently about linguistics by bringing up your father's story. I haven't understood what you're saying for a while, but it's interesting. In the fourth piece, perhaps because you were happy that your father was going to Mongolia, you are remembering stories about him. I thought I would like my daughter to write about me someday too. I don't know what the article is about. In the fifth piece, you suddenly talk about childhood memories. When Yurayura Miruko brings up a sudden development, it's usually a hit. It was a very Yurayura Miruko-like story that slowly sinks in. In the sixth piece, it's a childhood memory of a longhorn beetle. I don't think you can find the reason why children become cruel even if you look for it. They don't understand what they are doing, yet they know how to do it. Since I tend to head in that direction, I want people to read it as a piece of writing, feel it, and know the greatness of Yurayura Miruko.

This is Ao Hiroki.

This is a report that the hashtag Ao Hiroki is approaching the world-class Ao Hiroki. It seems there are still many worlds you aim for in the future. As for me, I would like to continue pretending to chase after Ao Hiroki with all my might. By now, the world-class Ao Hiroki has completely settled in, and I am filled with deep emotion. I think this every time, but you are a grateful existence that teaches me that humans are interesting. I hope that soon, the entire Ao Hiroki account will be collected somewhere and become a legend.

This is Saito.

This is Saito, who has returned to the back alley. The short stories Saito writes have blurred lines between reality and fiction, which is truly to my liking. The calm description creates a sense of discomfort in the world that Saito possesses. It's a very interesting story, but I don't know 'what it is about.' I want to read more. In the second piece, it's a life-sized essay, a complete change of pace. I can only say that I love it when you show such a gap. You should read two in a row. Someone who likes it just as much as I do will appear. Please feel the same way.

This is Yanagisawa Hiroko.

These are notes that are easy to forget when going to the dentist. It means don't just pay attention to your teeth. I feel like you chose this article just because you wanted to use 'What is this about?' It's the best.

This is Kaora-san.

It seems they are running in the Lie-Run. They were diagnosed with asthma right after starting, so I'm worried if they can finish the Lie-Run. They also explain their current diagnosis in detail. I find people who never lose their curiosity, no matter what happens, to be fascinating. Please continue as you are. And please continue on the "What Are You Talking About" path, as is standard.

This is Matsubokkuri-san.

Sometimes I receive notices from people who have read my past articles, wondering what I was writing about. This is an article where the author properly receives that trigger and records it. Reading this article, you can clearly understand how to face yourself and how to keep your heart calm while also motivating yourself. Since you are the only one who can decide what you consider a trigger, all problems only arise for those who have decided to move. No matter how subtle, it is something you have caused. I feel that if you cherish that, things will turn out well. It's an article I like.

This is Wataru Yasuda-san.

I often see people who gradually get better at incorporating "What are you talking about" into their own style, and it seems Wataru Yasuda-san was one of them. Even after reading to the end, I have no idea "what the story is about," but it's interesting. Have they realized the fun of writing about having no conclusion without actually having a conclusion? I'm worried about the future.

This is Snow Honda-sensei.

She is chasing the dream she once saw. Is she chasing the ideals she envisioned in her youth? Or is she being chased by the person she wanted to become? In any case, this is a hint that Sensei must break away from being an "old lady." There are many people waiting for Sensei. That is why she can no longer be the old lady she once envisioned as an ideal. And so, the old lady is angry and chasing after her.

This is Sunday's Yura-Yura Miruko-san.

All things considered, these are cool children and a mother watching over them. She is a wonderful mother who notices the growth in daily life. I feel that Yura-Yura Miruko-san has reached a second period of resonance. I feel she is heading toward the next stage. It is the true center. For over ten weeks, I have kept saying that this person is seriously "strange," and it has become recognized, which has instead transformed into "cool." She has approached the image I first imagined, but please let me write in this bottom row, which no one reads, that this is truly the talent of Yura-Yura Miruko-san herself and the achievement of "me" who believed in it, as a quiet self-satisfaction. Yura-Yura Miruko-san turned things upside down in the back alley. This is the greatest compliment I can give. And since I believe that what I must do from now on is to turn everything upside down, I will proceed as is. There is meaning in writing these things down. Because today, she hinted at the feeling of ending with her second tweet. Thank you for your hard work this week as well.

This is Kei Mameshima-san.

You shouldn't say "What are you talking about" when you go to an event, but they are shouting it grandly. Is this a shout from the climax of their writing? Are they shouting in the back alley before going out to the front to fight? Either way, I support them. Please check out their exhibited work as well.

This is Nishibutao (Yokan)-san.

As expected, it seems a gambler cannot be satisfied unless they win in a way they can accept. They declared that they would change their name to Nishibutao until they achieve a win they can accept. It seems they successfully won this time, but whether they will remain Nishibutao or take back "Yokan," I want to fully support this meaningless battle.

This is Pappardelle-san.

It's a feeling I haven't had in a while. The words are passed along and the topic changes as if I'm watching a relay baton pass. I don't know if this is their natural writing style or a coincidence, but I don't feel like this is a finish that could be achieved by coincidence. Do they connect one after another in their head? It's very interesting to read, but it's difficult to judge based on just one piece. I want them to write more. It's amazing, but I have no idea what is written. They are doing "What are you talking about." It's the best.

This is Pirosuke-san.

It's a story about what would happen if you personified things you like, but looking at the header photo, Pirosuke-san's desires are showing through, so rather than it becoming lewd while writing, I feel it would have been faster to admit it was lewd from the start. Even so, they are trying to raise their likability by worrying about how to explain it to their wife, and I can't hate them for it. It's fine. We are the ones who are lewd.

This is 🐉Shinobu-san, who is with the White Dragon.

It is just as the title says. You are being led. The old man of the tree is talking. And yet, it's not just one or two, but many trees are talking. You might say "What are you talking about," so please look at the article. You will surely say "What are you talking about." That is what it is.

This is Blue hand.

I'm frustrated. I wish I had been thought of in that way. It's been a long time since I've tasted such a sense of defeat. Tears on a Sunday night. That's right, isn't it? I remembered. The girl I liked who was in love with the teacher. The sense of defeat that just came over me when I realized I couldn't win no matter what. But I can understand it somehow, and it looks wonderful.

This is Teneko Nekokura's Creative Life.

Welcome back after a long time, Teneko Nekokura. From the inability to write, you spin your thoughts around and around. It seems you've become good at spotting the writing quirks of various people through your busy work. Well, my impression after reading Teneko Nekokura's essay for the first time in a while is that there are parts where you've become caught up in correct language, correct usage, and correct expression. I'm an amateur, so I don't know the technical side, but I've definitely been exposed to many people's writing every day for the past few months, so I've become more sensitive to these things. I felt it would be fine to have days where you play more freely, but perhaps this essay just happened to be from one of those days. Honestly, I'd like to have everything tagged and read it every day. It's realistically impossible, which is frustrating. To conclude, I still love Teneko Nekokura's writing. Please let me read more.

This is Sana.

It was so cute to read on a Sunday night that I had to pick it up. You say you like straight pitches, but I'm letting you know that that curveball reached me as a strike. And I feel like I can do my best again starting today.

This is Mokopen, the idol of the back alley who is on break, and Megumi Tiko, who is on the verge of a comeback.

A selection of masterpieces by Mokopen, the idol of the back alley. This is the reason why you can't return to the back alley right now, but I will continue to support you. Also, I discovered Megumi Tiko, who has been missing. Or rather, I'm letting you know here that every single day, day after day, you've been leaving 'likes' and I've been discovered. I'm telling you to write already, since you have a place where you are loved by everyone.

That is all. This is the 15th week. Recently, I've been trying to believe in the power of things I couldn't believe in before. The Creative Awards are also reaching their climax. Thank you for enjoying this every week amidst all that.

I will continue. I can see that the number of people reading is definitely increasing. I feel like if I keep going, it will reach someone. I truly feel glad that I poured all my energy into "What Are You Talking About." Thank you for the fun time. Now then, please use this as a breather from the Creative Awards or your daily life, and spend the week laughing and crying.

The "What Are You Talking About" Exhibition of Occasional Pieces

The feedback I've received is summarized in the magazine below until the end of the Creative Awards. Once it ends, I plan to make it private and reread it when I'm troubled or lost to regain my sense of self. Everyone, please read it while thinking about "what you have created." Thank you as always.