Laval Virtual 2025予習編(2) Laval Virtual 2025 ReVolution #Students 作品リスト

Clean History is a temporal agency whose mission is to go back in time and clean up scenes from our history that should never have existed. You’ve been working hard for the company for 6 years, employee of the year several times in a row, never counting overtime until you’ve accumulated hundreds of hours. Yet, your bosses decides to fire you overnight before the bill gets too high! It’s just not on... It’s time to pay them back. No more cleaning, it’s time for destruction! We’re running out of time, so we have to break, burn, dirty and cut up everything we can!

”Don’t Look Down” sends you in an immersive experience down an ominous well where you have to fix the electrical boxes of this strange and seemingly bottomless hole. Use wire cutters to repair the light boxes, reveal your surroudings with glowsticks, open the security airlocks and read the notes of the previous workers, who may or may not have made it out alive...

Maunaraagam is a live-action 360-degree VR music video set to the Malayalam song of the same name. It showcases the lives of two people separated by fate and follows their emotional journey of staying connected against all odds. Maunaraagam invites the viewers to explore the parallel narratives of these two individuals at the same time, which occupy two equal sides of the 360-degree view. The viewers witness the bond of these individuals which endures through heartfelt messages written on paper planes flying across the two divisions in the 360-degree view, serving as a metaphor for transcending the physical and emotional divide. This is enhanced by the Spatial Sound Design where audio dynamically shifts based on the viewer’s focus. The soundscape is divided into three 120-degree segments: one focusing on the girl, the other on the boy, and the third on the overall vocals and the music. Depending on where the viewer turns their head, the audio associated with that segment becomes prominent, immersing them more deeply in the chosen perspective. As viewers turn their heads, they not only shift their visual focus but also reshape their auditory landscape.

Guilty or not? As the main suspect of a ludic crime, this will be the central question the user of our experience will have to answer when being interrogated by an inspector in an AR setting. There’s a slight problem though : the user isn’t able to remember what happened to them and is then not sure if they’re responsible or not. They will have to uncover the truth by revisiting their memories, rendered in VR, and drawing missing elements from them, in real life, in order to solve the case. To guide the user in their search, a virtual character rendered in the user’s real life setting (AR) will ask them questions related to the investigation to give them clues on where to dig in their memories. The user will then be able to switch to a VR scene, their memories, where the incident happened and investigate. Some ”blurred” elements in the VR scene will be rendered via a point cloud, thus giving the user some clues of what objects need to be added to complete their memories. The user will then have to draw in real life (AR scene) the missing elements they found in order to improve the information the investigator possesses. If the drawing of the user is recognized, the missing objects will be added to the VR scene (memories), allowing them to progress in the investigation.

While research on non-Newtonian fluids is underexplored, aside from certain fields such as automotive, industrial production, and a few others, the objective is to explore into the properties of nonNewtonian fluids to identify potential avenues for innovation in the field of virtual reality. To achieve this, PST MORPHEO aims to create a haptic system and explore other possibilities for application.

Made by 5 students at Arts et Métiers in just 2 weeks, Sideralis is an innovative, interactive, and narrative adventure where you will learn how to create a solar system only using your emotions and your eyes. This never-seen before VR experience shows great potential in terms of accessibility and interactivity, making it a great contender for the best VR student original experience.

You are a stranded space traveler whose spaceship has crash-landed on a mysterious planet. The only hope for escape lies in a powerful beam of energy, radiating from a distant star fragment on the planet’s surface. But you’re not alone. Guardians protect the maze-like path to the light, determined to keep its power hidden forever. Time is running out—will you reach the beam and escape, or be trapped on this new planet?

STARMAZE is a competitive dual-player VR game where two players, one in VR and the other on a mobile device compete in a time-constrained, ever-changing maze. The VR player must reach the light beam before time runs out, while the mobile player uses their strategic abilities to control the maze and prevent them from winning.

Runner (VR Player) immerse themselves in a VR maze. They physically run in place to simulate movement within the game to navigate a constantly evolving maze. Dynamic challenges, such as shifting pathways and landmine hazards, demand quick thinking and adaptability. Power-ups like punches allow Runners to break walls, while claps enable levitation to access otherwise unreachable areas. Limited wall breaking abilities and random respawns require strategic decision-making.

 This XR game integrates virtual reality and an interactive tangible device to create an immersive experience highlighting women’s invisible labor. Players assume the role of a working woman tasked with balancing office work, household chores, and childcare while experiencing the stark absence of male contributions to domestic responsibilities. Through vivid scenarios, realistic interactions, and emotional engagement, the game offers players a firsthand understanding of the challenges of gender inequality. In the technical aspect, the baby carrier device utilizes Arduino and motors to simulate a real baby’s crying, with an added weight closely matching a newborn’s. Also, we use a pressure sensor to detect the tapping response, and when the player detects the baby tapping at certain times, the baby stops crying. Players must operate a stirring stick to collect ingredients and add them to the pot to complete the cooking task. However, the process is constantly interrupted by various demands, including soothing a crying baby, responding to frequent phone calls from the boss, and dealing with noise distractions such as phone alarms, ringtones, and reminders from an intelligent assistant. As the game progresses, players experience increasing pressure and a sense of being overwhelmed, emulating the high-stress environment of juggling multiple roles. This simulation enables participants to empathize with the struggles of working women deeply caught between professional and domestic obligations, raising awareness of gender equality issues.

The Vision’R project is a 100% student-led initiative, part of the Flying West aeronautical association at the Estaca Laval campus. The goal is to create a mixed-reality flight simulator using Microsoft Flight Simulator software. Our simulator is based on the cockpit of a Diamond DA40 NG, a four-seat training aircraft (both civilian and military) featured in Microsoft Flight Simulator and widely used in flying clubs. The primary objective of the project is to help students preparing for the Aeronautical Initiation Certificate (BIA) with the Flying West association better understand the concepts they are learning and introduce them to piloting. The secondary objective is to provide student pilots with training for the Private Pilot License (PPL). Finally, Vision’R is also a Mayenne-based initiative, aiming to introduce the experience of flying to residents of the region through participation in numerous events.

With this project, even people with no musical background can experience the beautiful ”chorus overtone phenomenon.” It is commonly known that, when some singers sing in a chord with the exactly correct pitches, they suddenly hear a high-pitch sound other than the fundamental notes. In this document, we call it a ”chorus overtone phenomenon.” The phenomenon is difficult to be experienced, because each pitch has to be in exactly the correct frequency. One of the members of our team belonged to a chorus club in high school, and there was practice to produce it. She still remembers the joy when she heard the overtone and the comfort of the chord after a year of training. Through this project, we want everyone to experience that feeling as well. In this system, you are the chosen person with special musical ability. You have to sooth Cerberus, the giant three-headed dog that guards the gates of the underworld, who is suffering insomnia caused by years of guard duty and is in need of rest. Cerberus falls asleep with beautiful music, such as of Orpheus’, but he is absent now. Please give peace to Cerberus with your special voices. However, Cerberus is tired and in a bad mood, so use your shield and be careful.t.

XAVIER XR is an innovative project designed to see navigation in virtual reality environments differently by integrating advanced neural and eye-tracking technologies. The goal is to develop an intuitive, hands-free system that enables users to move and interact within immersive virtual worlds. XAVIER XR is inspired by the famous Professor Charles Xavier, the iconic figure of the X-Men, known for his use of advanced telepathic abilities to interact with the world around him. The project leverages cutting-edge tools, including the Emotiv Epoc Flex 2 Saline EEG headset, to interpret brain activity and translate neural signals into actionable commands. Complementing this is the HTC Vive Pro Eye, enhanced with Tobii’s eye-tracking SDK, to provide precise gaze-based interaction. Together, these systems aim to create a seamless, natural way for users to navigate and interact within VR environments, combining cognitive intent with visual focus. By blending neuroscience and virtual reality, XAVIER XR has potential applications across diverse domains, including medical rehabilitation, gaming, professional training, and education. The project seeks to push the boundaries of VR interaction, offering an accessible and immersive experience that feels like a true extension of the user’s intent.