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🇯🇵🌸 The Darkness and Beauty Lurking in Pictorial Narratives【Japanese Horror Series ①】


Darkness absorbs sound.

Light flickers faintly, and only shadows assert their existence.
The "fear"depicted in Japanese picture scrollsnever screams.
Quietly, calmly—
as if staring back at you, it begins to speak in a deep silence.

In this country, even terrifying things have been depicted as "beauty."
Hellremains vividly as hell, and the faces ofdemon womenorHannyaharboring resentment even bleed with the color of sorrow.
And thebewitching allure and terrorthat dwells in cats.
This time, I will guide you on a journey through the "terrifying beauty" hidden in Japanese paintings.


Chapter 1: Hell Scrolls

Gyoki-ji Temple Hell Scroll

Japanese hell is a little different from the "eternal punishment" of the West.
It was not just a place of terror, but a place to know pain so that the soul could"live correctly once again."The hell depicted in picture scrolls and hanging scrolls features vivid vermilion, the black of darkness, and the light of gold.
Like a grand stage, it is intricate and rich in color.


People suffering in the Blood Pool Hell, those climbing the Mountain of Needles, souls being judged before King Enma

Beyond that scene flows a philosophy like a quiet prayer:
"How weak and foolish people are, yet how they possess the strength to live again."

Saifuku-ji Temple Hell Scroll

Chapter 2: Hannya and Demon Women

Hannyais the "form of a woman's grudge turned into a demon."
Sharp fangs, a distorted forehead, and glaring eyes.
However, many people do not know that this mask is actually made of "sorrow."
The Noh mask, Hannya, changes its expression surprisingly depending on the angle.
Seen from the front, it is the visage of a demon.
Seen from slightly below, it even looks like it is crying—
that change gains even more depth from the stage lighting, and it fallsheavilyinto the hearts of the audience.
The suffering of not being noticed by the person one loved, the terror of being burned by jealousy and having one's heart break.
Hannya is a mask that quietly reflects the fragility and pain of the human heart.


Soga Shohaku's 'Demon Woman under a Willow Tree' Screen

Demon womendepict the form of a woman who has turned into a demon when swallowed by deep sorrow. In the stories of demon women, there are"women who did not want to become monsters."Those who

fell into madness after having their children taken, those burned by jealousy after being betrayed, those who turned into demons while continuing to think of their loved ones

Utagawa Toyokuni's 'Demon Woman'

Sharp claws, standing hair, a torn mouth.
Yet, on the other hand, sorrow and lingering attachment bleed into their expressions, andtraces of being humanstill drift faintly.
Sometimes, demon women are depicted as if they are pausing faintly in the darkness of the night, staring off into the distance as if searching for their human selves.
Demon women were not only symbols of terror, but also extremely human existences that depicted"the fragility of when a human heart breaks."

Uemura Shoen's 'Flame'
Perhaps jealousy is what eventually turns a woman into a demon woman.

Chapter 3: Ghost Cats


An existence where bewitching allure and terror coexist

Japanese people have lovedcatssince ancient times.
On the other hand, there is a sense that cats have a "non-human presence." People in the past held this feeling strongly as well.

At night,their pupilsglow, and their shape changes, becoming thin or round depending on the time.
They walk without making a sound, and just when you think they are gentle, they suddenly reveal a wild sharpness.

Free-spirited creatures that, like dogs, cannot be fully controlled by humans.
With these characteristics combined, cats gradually came to be seen as “supernatural beings”.

The bakeneko (monster cat) also appears frequently in ukiyo-e.
They are depicted dancing with a hand towel draped over their heads.
They were even portrayed as speaking human language, sometimes manipulating the dead, and possessing humans.

Nekomata by Kawanabe Kyosai

While many of these pictures look comical, both “fear” and “reverence” breathe within their backgrounds.

Their tails split in two, becoming Nekomataforked cat.

They bewitch people in the darkness of night.
Harboring grudges and cursing the living—

Utagawa Kuniyoshi, 'The Okazaki Stage from the Fifty-three Stations of the Tokaido'

The supernatural phenomena attributed to cats were diverse, and each reflects a unique Japanese sense of dread: “The more familiar something is, the deeper the darkness we feel within it.”

Bakeneko by Utagawa Yoshifuji

Beautiful, capricious, and draped in a certain bewitching charm, the bakeneko.

Its allure and eeriness symbolize the aesthetic of “ayashi” (the mysterious) that breathes through Japanese horror.

Nekomata by Utagawa Kuniyoshi

Well, how did you find “The Darkness and Beauty Lurking in Picture Tales”?
Did you enjoy it?

Fear and beauty are often thought to be eternally contradictory.
However, in Japan, beauty has always resided within fear, and a faint shadow has always lurked within beauty.
Hell, demon women, hannya masks, bakeneko—
While reflecting the dark parts of our hearts, they are also beings that gently illuminate the “other self” deep within us.

May this quiet journey of terror
leave you with
a deep lingering impression.



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