Taisho Roman Hand-Drawn Practice

Everyone, unlike ZUZU, I intended for this to have a subtle, ephemeral, feminine atmosphere with vague, delicate, and light expressions. While ZUZU was an additional learning LoRA created with the awareness of slightly larger, sharper eyes for a character harboring a fighting spirit within, I intended for the Taisho Roman woman to have a neat, ephemeral, and sad expression. I am drawing this with the exact opposite intention to the Kimono and Art Nouveau series.

I actually wanted to bring out an emotional quality like Yumeji Takehisa, but since I once aspired to be a manga artist and leaned towards gekiga, it seems that quiet, sentimental illustrations do not suit me.