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Tabaimo: Sono Ato (And Then) at Gallery Koyanagi

2024.11.10

I have liked Tabaimo ever since I saw her work in a room at the Kyoto Museum of Culture when I was in college. It was a chance encounter; I had only stopped by while visiting another exhibition in Kyoto. Where else have I seen her work? It was in the Ryutaro Takahashi Collection at the Museum of Contemporary Art Tokyo the other day, wasn't it? I feel like I saw it at Warehouse Terrada, too. I remember watching her animations for a long time. I guess I really do like Tabaimo's work.

White is Scary

Now, as for the cocktail, it had a monotone, stylish design. Even though the very existence of a cocktail is stylish, having a sleek base with something sticking out of it is so classic and cool. That's why I decided to drink it at night. During the day, I had the 'Festival' drink. It had a small red round ice cube on top, which looked a bit like the sun and felt festive. I thought that was the one to drink during the day.
I felt that 'White is Scary,' the Tabaimo cocktail, was perfect for when the area outside the white-floored venue turned pitch black at night, making everything monotone and quiet.

I watched excitedly as they made it. A certain famous yogurt (Bulgaria) in a blue package was inside... It's delicious, isn't it? I like that refreshing taste that makes you feel like you're eating yogurt. I was convinced it would be a delicious cocktail.

I was told, 'The black liquid is in the dropper, so please drip it in as you drink. The surface will do something interesting.' So, I played around by dripping a lot of it in. It did something interesting. Why does it do that? It moves like iron sand reacting to a magnet placed under soil, which is soothing. When you stir it a little, it seems to react again—perhaps some of it hadn't fully reacted yet—wriggling and then settling down. Since I saw the Bulgaria yogurt, I thought it might be a battle of the good bacteria.

When you add the black liquid, boom!
Ahhhhh, good bacteria!!!!
(I played with it too much before taking a picture)

There is a potato on the tip of the pick. A small potato. Delicious.

I thought the overlapping black lines were similar to Tabaimo's work. It's mysterious, after all. A bottomless, chilling sense of dread.

Well then, Gallery Koyanagi. I didn't know there was a gallery here. It's relatively close to the Police Museum. I was nervous going up to the 9th floor of the building.

The projection on the dollhouse is linked to the one in the back.
A giant goldfish escaped.
An eerie abandoned house.
Is it Sylvanian Families?
It felt like extreme drinking,
the 'White is Scary' cocktail I drank yesterday—
I felt a moment of anxiety,
wondering if it was really something I should be drinking.
Bottles of alcohol you shouldn't drink,
and small bottles with a doctor's name on them. Medicine bottles.
Both opaque white and black
paint over everything, making it invisible.
Whiteout, to the other side of the mountain,
Blackout, dead drunk.
The same wallpaper as the dollhouse.
Morris vibes.

I think—no, I'm quite convinced—that this is a work that will strike a chord with people who like Edward Gorey. I like him too, after all. Also, it's similar to the atmosphere of 'Shadows House' (the manga).

I really like it. I knew I did. It was a great experience to be able to literally taste the work through the cocktail.

いいなと思ったら応援しよう!

ささき おいしいごはんたべます。