Is the back of the head noise or flavor?

I watched Lolo's new play, 'Rare Person'.
The performances by Mr. Kameshima and Ms. Shinozaki, which I have watched for a long time, still possess a sense of gentleness and awe-inspiring power.
I have been a fan of Ms. Nagai ever since I saw her perform in Houhou's play at Suisei in Nakano. Why is she able to pull off such unique costumes so well?
Mr. Takano, who somehow manages to make the 'person who suddenly proposes a lariat' seem natural. His performance felt deep, as he was able to embody Lolo's worldview while playing the realistic profession of an editor. (I apologize if this, or anything else, sounds like an arrogant comment.)
And although it was my first time seeing them perform, the two from Ningen Yokocho blended into Mr. Miura's world perfectly and added such depth.

Everything, including the script and direction, as well as these performances, was wonderful.
I will omit what I want to say, as Ayumi Uesaka has already written most of it on X.
https://x.com/aymuesk/status/1971562332599009436?s=46&t=khc_EN7jdE-la80_7FX0eg

Also, the art by Suzuran Ito is amazing every time. Like this time, it has that exquisite balance of being everyday yet firmly expressing a worldview. It's strange how a bench I don't know feels familiar. Then again, she sometimes creates dynamic gimmicks, which is truly impressive.

'Rare Person,' created by such people, was performed at Euro Live.
Euro Live has sturdy seats, so you don't get tired while watching, and no matter where you sit, you feel close to the stage (or rather, you actually are). The number of seats also feels like the absolute limit where all audience members can feel a sense of unity, which is why I like this place.

It was a theater-going experience filled with such 'wonderful' things, but what was unexpected was the back of a head.

Euro Live also has sloped seating, so unless someone very tall sits in front of you, you can watch without any problems.
The person who sat in front of me this time was a rather tall man, and when I tried to look at the stage, the very top of his head would slightly obstruct my view, but that is to be expected, so it was not a problem at all.

However, that man's hair was frizzy.
Furthermore, if I may be rude, it was mixed with gray hair, so occasionally the gray hair would sparkle a little due to the reflection of light.

I am used to having the back of a head in my field of vision, so it doesn't bother me, but this was the first time that the back of a head was both frizzy and sparkling.

But if you ask me if this was an unsatisfactory experience, I feel that is not the case. The stage glimpsed from behind the frizz—it's a bit of an exaggeration—but it felt like peeking at someone's life from a bush, which was fun.

The occasional sparkling was subtle, but I found myself thinking that this, too, was a good viewing experience.

It looks like I'll be able to get through today without giving anyone a lariat.