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Continued 3: Right Away, 'Note Mandala' is Pushing Forward ★ The Rhythm is Good


(Click here for the previous article) This is a series, you know!


Today I was able to wrap up work a little early at 7:45 PM. Yahoo! *I've never seen anyone other than Sanma Akashiya say 'Yahoo!'

In my previous post, I was full of self-reflection regarding the words 'don't make it feel sluggish' that I underlined myself, so I want to jump straight into the main topic. (Oh!? A storm is coming!)

Behold the seriousness of even skipping the munching time of the ritual! (← Of course, I'm still eating, though lol)

Now, let's go together on a journey of exploration for 'Pushing-Forward Writing'.

*I will leave the explanation of the 'Note Mandala', an 'invention for me who can't write to be able to write' advocated by Yasu, the head of the After-School Writing Club, to my previous post.

What kind of characteristics does the writing I call [Pushing-Forward Writing], which I lined up on the table last time, have? This is the 2/8th theme that makes it up.

Looking at it this way, quite interesting words are lined up.

The rhythm is good

★ mark... Something I felt I wanted to dig deeper into with this theme. Doing this seems like it will expand the Note Mandala later.

Red underline... The item I feel is most important among the 8 words.

● 3 characters
Kansai people love 3 characters♪
McDonald's is Makudo. (Not Maaaaac!) Mister Donut is Misudo. Don Quijote is Donki. No, how about the theory that not just in Kansai, but young people generally abbreviate words to 3 characters?

● 5 characters
It is no exaggeration to say it is engraved in the Japanese DNA, the 5-character sense of speed theory. Previously, when I went to a concert of my beloved Masashi Sada, he said during the MC, '5 characters have a fast speed to reach the heart, so there was a time I used them frequently.' Yes, it r e a c h e s.

● 7 characters
→ It's a story close to 5 characters, but I feel that 'Tanka', which is composed of 31 sounds in 5-7-5-7-7, has gone beyond a temporary boom and has now reached a cultural return that stimulates the Japanese DNA.
7 characters are also very compatible as parts of a 'song'. In other words, music. Isn't that right, my friend?

● Repetition
→ Literarily speaking, repetition. For example, repeating 'zutto' (always) as 'zutto zutto' gives the impression that feelings are included. You can feel the level of agitation more with 'motto motto' (more and more) than just 'motto' (more), right? (lol) However, you will get scolded if you don't say '
hai' (yes) only once...*The link for 'repetition' was very educational!

● Voiced sounds '゛' and semi-voiced sounds '゜'
→ Sounds that are crushed or sounds that pop. Things that suddenly bring a 'large change in sound' to the gentle fifty sounds that Japanese has. Modulate the monotony. In other words, don't let them get bored.

Iroha ni ho heto chirinuru wo
Waka yo tare so tsune naramu
Uwi no okuyama kefu koete
Asaki yume mishi ehi mo sesu

(Even the colors are fragrant, they scatter
Who in our world is permanent
Crossing the deep mountain of impermanence today
I had a shallow dream, and I am not drunk)

'Iroha Uta' is composed only of non-repeating kana characters

● Make music play in the brain
Please read the characters I am about to write.

Let's search♪

Yes. If the characters below and the music came to mind, it's BINGO.

Dragon Ball♪

For example, I will try to change it intentionally using the above.

Uguisu Ball♪

Wait, are you really going to look for and eat a crunchy snack called Uguisu Ball!

……

Sorry. I suppose most people don't know what Uguisu Ball is. This is it. It has a sweet and salty taste and is crunchy, crunchy, crunchy♪ Not many people know that it comes in different sizes, either.

This mysterious, alien-like mascot character is cool.

The power of music is infinitely great, and it adds a booster to the sense of speed.

If you can use it, use it! (It's also important to accept that it will only reach those who understand.)

● Pressing on (Red underline)
→ If you can push it to the point where people say, 'Is there more? Still more? Enough already!', then I think you've mastered it.

The keyword 'pacing' will come up later.
For example, as an image, it's not a flow of slow → fast → slow → fast, but rather slow → fast → fast → fast → slow → fast.
I think this 'triple fast' is the true nature of 'pressing on'.

● Pacing *Duality
→ There is a term called 'monotony'.

Suppose there is a comedy duo that only does slapstick.
I want you to imagine it; there's nothing funny about it. (Well, obviously.)

Conversely, if there were a comedy duo that only did straight-man routines... while a 'high-level technical humor' of layering straight-man lines on top of each other would emerge, you would get tired watching it.In other words, the 'slowness' that pairs with the 'pressing on' becomes important.

* Please set aside the note on 'duality' for now, as it will appear again later.

(Yeah, this is going to be long...)

I'd like to write the continuation next time or later.

I feel like the outline of the 'true nature of pressing on' has started to come into clearer focus. I would like to continue finding it together with you.

So, this post is...

Don't worry! It's a one-shot post without rewriting☆ Good job, me☆
(No appearance by Nennen-san this time, what a shame!)


(To be continued)

66-Day Writing Running


It is the 28th day since I started.

* If you are interested, you can read the beginning of the article below for a quick overview☆

https://is.gd/bzvhBA

#66DayWritingChallenge
#Day28

いいなと思ったら応援しよう!

たつのこ龍次郎(りゅうじろう) よろしければサポートお願いいたします。コーヒーを飲んだりして創作のチカラにさせていただきます☆