Shun-hai [Haiku] The sound of water, rich in minerals

#ShunHaiku by Aiming for 'No-Bonn' Variety Team

The title is not a submission.
More on the chorus members later.

#ShunHai Application Guidelines here (Deadline: 7/25)

I'm throwing in music as usual, but my goal this time is to be 'No-Bonn'.
It means escaping from the 'Bonn' (mediocre works) that are the theme of Natsui-sensei's week on NHK Haiku.
That said, I'm not aiming for a 70-point 'Talented' score.
I'd be happy with a 'Half-Bonn 65 points', I suppose.
The same goes for the music. Considering the effort to get a finish above 70 points, it's more fun to play around at 65 points and try various things one after another.
(The word 'stoic' is not in my dictionary.)

First, this one.

'One, two, three,' the children are sleepy, summer vacation

As mentioned in the NHK Haiku 'Summer Vacation' episode, 'homework' and 'radio calisthenics' are typical patterns for summer vacation poems.
But I wanted to write about radio calisthenics. So,'Radio Calisthenics'I expressed it using a phrase from that famous opening song without saying the name.
Although it's become less common recently, radio calisthenics are usually done only by adults.
When summer vacation starts, children join in, rubbing their sleepy eyes.
That's the scene.

The song is here, also serving as #HaikuFromASong

🎵 Radio Calisthenics Song / Sagittaria Trifolia Choir

(Even though it's a school song, why does it turn into that halfway through!)
My bad habit of wanting to add flats and sharps when the chords are too basic.

(What are you sneaking in there!)

The second piece follows the tanka, #HaikuJunkoYamamotoMightSing

Don't let this love cool down, summer galaxy

You might say, 'There are seasonal words like Milky Way or Tanabata, so why not use those?' but that would just end as a simple wish, and I feel like that's 'Bonn'.
It's just a small trick, but I used'Summer Galaxy'so that the night sky and the universe can be seen more clearly.
'Galaxy' is, as you know, a winter seasonal word.
It's not like you should just add a season to anything, but...

The song ended up being this one.
At first, I wanted to do 'Sunao ni Naritai', but it looked like it would take time, so I went with this.
(Songs with a lot of English are hard to map to the score.)

🎵 Coming to Haneda on a Saturday Night / Sagittaria Trifolia Choir
(3 minutes 47 seconds)
Wouldn't it have been better to use the team name'Wi-Fi-Set'for this!

It's not a very chorus-heavy song.
As long as the middle part,'Fufu-furu, fu-wa'is nailed, that's all that matters.
I was in a Hi-Fi Set cover band in my student days, and this was the first song we added to our repertoire because I wanted to do this part.
When we nailed this on stage, the four vocalists would look at each other and give a 'good job' sign.
I remade the backing sound that I had written quite a while ago.
(I was planning to rewrite the vocal parts anyway.)

With this song, #HaikuFromASong would be

That love has not yet cooled, the summer galaxy

It seems like it might become that, but once a work is published, it begins to "walk alone" just with those characters.
Since this would dilute the meaning of "summer galaxy," please stick to the work above for the submission.

#Haiku that Junko Yamamoto might sing. I made another one.

"I tried tying up my hair," the Ai no Kaze (love wind)

For my generation, this would be Eiko Masuyama, and now it would be Miyuki Sawashiro,

"Oh my, my hair is getting messy," the Ai no Kaze

It becomes this. I would be happy if you could hear Fujiko Mine's voice.

"Ai no Kaze" is a difficult seasonal word, but this time I literally imagined the train window of Toyama's "Ainokaze Toyama Railway".
(Because I am #SometimesRailwayTeam)
Please Google the original meaning.

Now, the last one is a controversial work.
Having said that, it's not a story that will "cause controversy."
It's a question of whether or not it can be read properly.

The melody of the rough rainy season is frustrating, G#dimb9 (G-sharp diminished flat nine)

If you write the last five syllables in Japanese katakana, it becomes very long as shown in the parentheses.
The question is whether you can read that last five-syllable part just with vowel sounds as
G/Shar(p)/Dim(inished)/Flat(tened)/Nin(th)/
in five syllables (or six, since there is an 'n' sound?).
That is the point.

It is a bit of trouble for the crew, but please include the parentheses in the list.
(Bow. It's okay if it's impossible.)

"G#dimb9" is a chord (harmony) like this.

It sounds like this when played.
🎵 https://sus-t.jpn.org/Pon/Gsharpdimb9.mp3

It is beautiful, but I feel a sense of melancholy and frustration somehow.
Also, when I'm writing music, hearing this resonance is quite distracting. (Laughs)
Those who do music will understand,
but since I usually think with the note A (La) as the standard, G# being a half-step away makes my ears confused.
That is even more true when it is a diminished chord that jumps by three half-steps.

With that said, I have completed it.

See you again.

May good things happen to everyone.
(Oops, Vocaloid habit, Takagi, Tashiro, Shimizu, I mean lol)

May good things happen to everyone.

My tanka and senryu works are here.

And you can find everyone's haiku, tanka, and senryu submissions here, respectively