How to Expand Your Worldview with AI | Tips for Using ChatGPT and Seedace 2.0

I am pasting the settings for this character.
In her role as the school nurse, I want to make a 30-second video that shows this personality and the danger of the final boss.

Create a storyboard.

Character settings omitted. Refer to the previous article

30-second Storyboard

'Anima Nostalgia | The Muddy Madonna Descends to the Infirmary'

Overall Tone

The video genre is Dark School Fantasy × Horror of Old Memories × Beautiful Apocalyptic Feeling.

Tsukiyomi Academy's infirmary is normally a clean, white place. But as the video progresses, the floor becomes an amber water mirror, the bed curtains hang down like wet lace, and an old CRT monitor begins to project sepia-toned memories.

The core of the horror is a 'gentle voice'.
The screen is beautiful, and the voice is sweet. But it feels like it's quietly grabbing the viewer's ankles.

—

0:00–0:04

Cut 1: Infirmary Entrance

Visual:
Tsukiyomi Academy at dusk. At the end of the hallway, only the infirmary door glows with a pale amber light. The fluorescent lights in the hallway flicker, and the posters on the wall ripple with humidity. The door sign says 'Infirmary'. Below the text, there are faint muddy fingerprints.

Camera:
Slowly moving forward from a low position in the hallway. Old lens style, with the periphery swirling and distorting. It's as if the field of vision itself is being rewound into old memories.

Sound:
A distant chime stretches and distorts like an old cassette tape.
An electronic sound like an EKG plays for a moment, then changes to CRT noise.

On-screen text:
'Tsukiyomi Academy Infirmary'

—

0:04–0:08

Cut 2: The Too-White Infirmary

Visual:
The door opens slowly. Inside, it is white. White beds, white curtains, white medicine cabinets. But only the floor is an unnaturally beautiful amber water mirror. The setting sun reflects on the water surface, making it look like a shallow lake that stretches on forever.

Anima Nostalgia is sitting in the back of the infirmary. She wears a lab coat and an antique lace dress. Her hair is long, a dull sepia-brown, spreading out like tangled thread.

Camera:
Composition as if peeking through the gap in the door. Don't get too close. Don't show her whole body yet.

Sound:
The faint sound of glass vials clinking together.
The soft 'hiss' of an old television.

Anima's voice:
'You're tired, aren't you? You don't have to try so hard anymore.'

—

0:08–0:13

Cut 3: Not Mud, but a Beautiful Restraint

Visual:
Anima's feet. The hem of her dress is submerged in the amber water mirror. From beneath the water surface, several hands as beautiful as white porcelain reach out and gently grasp her dress. It feels more like a prayer than terror.

The hands look like they are binding Anima, or perhaps Anima is binding the world.

Camera:
Close-up of her feet. The shadows of Monday, Manderia, Pentacle, and Janus are reflected on the water surface one by one, but they immediately disappear in sepia-colored ripples.

Sound:
Water sounds.
An old music box.
Mixed with the heavy sound of chains sinking.

Anima's voice:
'You don't have to change. It's fine to stay the way you were in the past.'

—

0:13–0:18

Cut 4: Memory Monitor

Visual:
Vintage glass monitors line the walls of the infirmary. Inside the CRT screens, fragments of nostalgic memories of Tsukiyomi Academy flow. Students laughing, the hallway after school, a past that looks like no one was ever hurt.

But if you look closely, all the students on the screens are facing the same direction, smiling with the same expression. Individuality is melting away. Not happiness, but a specimen of conformity.

Camera:
Pan across the monitors. Finally, zoom into Anima's eyes. Static noise runs through her pupils. Only her eyes are not smiling.

Sound:
Sepia-toned laughter.
The pitch gradually shifts, turning into a pressure like a choir.

Anima's voice:
'If we're all together, no one gets hurt, right?'

—

0:18–0:23

Cut 5: Denial of the Four Heavenly Kings

Visual:
Four symbols appear one by one in front of Anima.

Monday's blue observation magic circle.
Manderia's red butterfly and folding fan.
Janus's branching future lines.
Pentacle's analysis notebook and geometric formulas.

The moment they begin to glow, the porcelain hands reaching from the amber water surface gently envelop them. Not destroying, but putting them to sleep. The light is dyed sepia.

Camera:
Switching symbols at high speed. The tempo is sharp like an MV. However, it's not an attack, but rather the fear of being calmed down.

Sound:
Electronic sounds begin to rise.
A melody like a lullaby covers them, and the sounds are crushed into roundness.

Anima's voice:
'Oh... what cold machines. It's okay, I'll wrap you up warmly.'

—

0:23–0:27

Cut 6: The Muddy Madonna Reveals Her True Form

Visual:
Anima stands up slowly. Her dress remains beautiful. However, below the hem, it merges with the water mirror, and the entire floor of the infirmary turns into a bottomless amber swamp. The bed, curtains, medicine cabinet, and desk slowly sink.

Anima's smile distorts. The moment compassion and obsession mix, and motherhood becomes a monster.

Camera:
Slowly zoom in from the front. The CRT monitors in the background all light up at once, creating a halo-like noise light behind her. A composition of a beautiful Madonna statue. However, it's not divinity, but a pressure with no escape.

Sound:
The noise suddenly gets louder.
The sound of chains being dragged.
The sound of a large number of hands moving from under the water surface.

Anima's voice:
'Don't go... I won't allow you to change.'

—

0:27–0:30

Cut 7: Last Copy

Visual:
Extreme close-up of Anima's face.
Her lips are smiling gently. But there is static in her eyes. The entire screen ripples like old footage, and finally fades to black.

Just before fading to black, a porcelain hand reaching from the water surface grabs the camera's feet.

Last text:
'Come, let's rot together.'
'In the warm mud where no one gets hurt.'

Sound:
Complete silence only at the end.
After that, the 'click' sound of an old television turning off.