Emotional Shifts_Talk Classroom [Reading Notes] [Torakichi's Monthly Note (April)]
There are many ways to tell a story about a trip, not just 'where you went and what happened.' In particular, if you frame it through 'the emotional shifts of how you felt at that time,' even flat events become three-dimensional.
Do you know Seido Fujii? He likely has various titles, but in my view, he is a 'radio broadcast writer.' He currently works on 'Audrey's All Night Nippon.' Previously, he worked on 'Utchan Nanchan's All Night Nippon' and 'Hikaru Ijuin's Oh! Dekanight.'
It seems he wrote this book at the recommendation of Audrey's Wakabayashi. I bought it because I wanted to peek behind the scenes of radio and because I'm not good at talking to people and wanted to learn the tricks of conversation.
I think this book is useful not only for conversation but also for how to write notes.
Some of you may have started posting on note in April. This book is also recommended for those who want to post but are troubled by what to write.
A little curiosity, a sense of discomfort, meddling, jumping to conclusions, a spectator's spirit, happiness, embarrassment, envy, anger, anxiety, disappointment, regret... these are all normal emotions that everyone has. You just need to use those feelings of yours as leverage.
Oh, I see. So I just need to add my own emotions!
I post reading notes, three-line diaries, and essays on note, but when I look back at them, they are often just stating facts. I sometimes think they aren't even worth posting. But I feel like adding emotions to them gives them a sense of originality.
I realized once again that the noters who leave an impression are those who are good at expressing 'emotional shifts.'
'It doesn't have to be eccentric behavior or strange experiences typical of a comedian. You want someone to listen to your story, right? You want people to be interested in you, right? The intensity of what you genuinely want to be heard—feeling frustrated, embarrassed, sad, or miserable because things didn't go well—will be conveyed to the other person. If so, you should just have them enjoy your talk, and as a result, have them laugh. Or even if they don't laugh, isn't it enough if they empathize with you?'
I want people to listen to my story. I want them to be interested. If I have the passion, it should come across. They should be able to empathize. Perhaps that is why I am posting on note.
Now, I would like to conclude with this one phrase.
"It's okay if there's no punchline."
I am also participating in Torakichi-san's project.
For the theme, I chose "April" from the seasonal word series.
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