Thoughts on watching ANNA on Afternoon Roadshow and a feminist critique

On today's Afternoon Roadshow, I watched a relatively new spy action movie called ANNA.
Since the headline mentioned KGB and CIA, I thought, 'Oh, that sounds interesting.' Afternoon Roadshow broadcasts a lot of interesting Western movies aimed at older men, mostly suspense and action, and even though I look like a schoolgirl, I'm an old man on the inside, so I check the program guide every day, haha. (My morning routine is reading the newspaper. The most important part is the TV schedule!!)
My rough impression is that the female protagonist is super cool and the story was interesting! However, inspired by the introductory book on feminist criticism I've been reading lately, 'Sugar, Spice, and Everything Explosive,' I wanted to try a feminist critique as well.

The protagonist, Anna, is a beautiful woman with a great figure and a sharp mind, but the story begins with her life at a dead end, hitting rock bottom. She felt forced to be with a bad-boy boyfriend who did drugs and his associates. She was using drugs herself, but one day she quit and applied to the Navy. Her boyfriend told her there were other ways to make money and made her close the computer where she had sent her application data. Later, she witnessed her boyfriend and his associates committing a crime and fled from the police with them. When she returned home, a cool middle-aged KGB agent was inside, forcing her to choose between becoming an associate or dying right there. But it seems he had high hopes for her background and potential, so he stopped her with words when she tried to commit suicide. She is pushed into impossible tasks by her middle-aged female KGB boss, but as she manages to hang on, she is gradually recognized (?) and even enters into a romantic relationship with her cool male boss. However, since she was forced to become an associate, she has no freedom even if she stays alive. To gain her freedom, she tells him she wants him to be on her side.
Omitted
In a certain pinch, she ends up becoming a spy for the CIA.
Their demand is the assassination of the KGB boss.
The cool CIA agent promises to protect Anna, and they become lovers.
At this point, I couldn't tell anymore if this love was real, haha.
I think the cool guys are serious about Anna, but Anna is single-mindedly focused on being released from spy activities and becoming free.
She carried out the assassination but temporarily disappeared, becoming a target for both the KGB and the CIA. She thanked her two lovers, said goodbye, and left, but was shot dead by her female KGB boss.

What!! No, wait, was this just an act of being killed?!
That's right. Actually, the female boss already knew she had become a CIA spy, and they had decided to team up! The female boss had tacitly approved the assassination, and after things settled down, she became the boss! Anna gained her freedom, and it ended in a win-win relationship.

What I want to say is...
The structure was interesting: it started as a relationship where she was caught between organizations and men, forced to team up by circumstance to survive, and changed into a relationship between individuals (woman and woman) teaming up for their own advancement, leading to a happy ending!!

I felt that as the female boss watched Anna's unwavering pursuit of freedom, she came to see her as something precious, 'like her own child' (the female boss actually says this), and wanted to cooperate. I think there was ambition to become the boss, but more than that, I think there were positive feelings toward Anna. Were there women who actively wanted to be spies during the Cold War? Perhaps the female boss also had no choice but to live as a spy? Maybe she just chose to climb the ladder and survive in that world rather than seek freedom, and perhaps she projected herself onto Anna because she actually shared the same feelings?
Towards the end, she calls Anna a 'bitch' as a term of endearment. (Anna, not missing a beat, presents evidence that she can also blackmail the female boss.)
It was none other than the female boss who taught Anna how to use her head and survive strongly on her own, training her.
Oh, right, the boss said this about the female boss: 'I can't trust beautiful women because I think they'll betray me, so I only hire ugly women like Olga (the female boss).' Or something like that. I feel like I understand that from watching too many spy movies, but it doesn't make me feel good about a boss who has such twisted ideas about women...
That's why the female boss's state of mind is worth analyzing!
It was a work where you could feel the bond between women.