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Names of Stages in Kagura: The Difference Between Mikoya and Mainiwa

The 'Vessel' that Invites the Gods and the 'Floor' where Gods and Humans Intersect: The Spatial Studies of Miyazaki Kagura

Kagura has been passed down through the mountains of Miyazaki. When discussing its stage, we tend to group it all under the word 'stage,' but in reality, there is a precise definition of space there.

The world of 'jujutsu,' 'kekkai' (barriers), and 'domains' seen in anime and manga.
The source material for popular anime such as 'Jujutsu Kaisen,' 'Inuyasha,' 'BLEACH,' 'Demon Slayer: Kimetsu no Yaiba,' 'Blue Exorcist,' 'Ushio and Tora,' 'YuYu Hakusho,' 'Mob Psycho 100,' 'One Punch Man,' and 'Bungo Stray Dogs' is actually the very Kagura that has been performed for hundreds of years in the deep mountains of Miyazaki.

This time, let's delve into the two terms that form the sanctuary of Kagura: 'Mikoya' and 'Mainiwa'.


What is 'Mikoya'?

Mikoya is a term that refers to the entire ritual space where Kagura is performed is a term that refers to.

This does not refer to a mere physical building. It refers to the 'shrine' itself, including all the furnishings such as the 'kamidana' (altar) enshrined at the front, the 'shimenawa' (sacred straw rope) stretched around the perimeter, the 'erimono' (paper carvings) that decorate the space, and the 'kumo' (canopy) suspended from the ceiling directly above, symbolizing Takamagahara (the Plain of High Heaven).

Once you step into that barrier, it is no longer an ordinary living room, but has transformed into a special microcosm for the gods to descend and play.


The difference between 'Kagurayado' and 'Mikoya' that is easy to confuse

Some people might think, 'Aren't Kagurayado and Mikoya the same?' but there is a clear difference.

  • Kagurayado = Physical 'building/house' This is the 'physical location' chosen or provided to hold the Kagura. Traditionally, the private home of an influential person in the village was chosen, and in modern times, community centers and assembly halls are often used as Kagurayado.

  • Mikoya = 'Ritual space/sanctuary' created inside This is the 'sacred barrier for inviting the gods' itself, constructed inside (or outside) the building called the Kagurayado by stretching shimenawa, decorating with erimono, and setting up a kamidana.

In other words, the relationship is that 'a sanctuary called Mikoya is temporarily set up inside a box called a Kagurayado.'


What is 'Mainiwa'?

In contrast to the Mikoya, the specific floor located in the center of the vast Mikoya where the dancers actually perform the dance is called the 'Mainiwa.' It is the 'place' where life dances.the specific floor where the dancers actually perform the dance

The Mainiwa is usually a square of about two ken (approximately 3.6 meters) on each side. This limited area is the 'dynamic floor' where gods and humans intersect and energy is at its highest.

Because of the tradition of it once being danced on the ground outdoors, it continues to be called a 'niwa' (garden/court) even when indoors. The 'ashibyoshi' (foot stamping), where the dancer rhythmically strikes the floor, is a sacred act to appease or awaken the spirits of the earth.

[Author's perspective: The difficulty of defining Mikoya and Mainiwa] This is the difficult part of defining Kagura space, but depending on the region or the person, some call only the space where the dancers dance (the center) the 'Mikoya.' However, to capture the spatial structure more accurately, I clearly distinguish the floor surface where the dancers dance as the 'Mainiwa' and the entire sanctuary surrounding it as the 'Mikoya.'

The sacred and the profane, separated by a single rope


What separates this Mikoya from the 'viewing seats' where we drink sake and watch is not a wall, but a single shimenawa.

By understanding this multi-layered structure—the 'Kamidana' (altar) and 'Kumo' (cloud) as the central axis where the gods descend, the 'Maitoniwa' (dance courtyard) where the gods land, and the 'Mikamiya' (sacred shrine space) that encompasses the entire area—the reasons why Miyazaki's Kagura has remained so mysterious and yet so beloved as a familiar part of life should become clear.

Next time you have the opportunity to visit a Kagura performance, please take a moment to reflect on this elaborate spatial design that unfolds 'beyond the rope'.

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