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Why is Viking's "Graduate" sketch from King of Conte a masterpiece? "What a 〇〇 day!!"

The masterpiece "Graduate" that achieved the highest score in history

The "Graduate" sketch performed by Viking at King of Conte earned 967 points, the highest score in the competition's history at the time.

The reason it is passed down as a masterpiece in the history of comedy lies in its simple yet meticulously designed relationship dynamics and the realism of the performances.

In particular, Kotoge's performance of bewilderment and Nishimura's sense of being an outsider are exquisitely combined, creating a four-minute world of narrative with overwhelming density.



Kotoge is a master of bewilderment

When people think of Kotoge, most probably think of his sharp, biting retorts.

However, his true strength lies in his performance of bewilderment in.

The story of "Graduate" begins with Nishimura, a former trainee, suddenly appearing before his instructor, played by Kotoge, for the first time in 18 years.

The distance between them is far too strange for a former student, and he approaches with an overly familiar attitude. From Kotoge's perspective, this is a genuine intruder.

Even without words, his subtle acting, which conveys his inner thoughts to the audience, establishes the tension of the entire sketch.


The sense of being an outsider as an intruder: Nishimura

On the other hand, Nishimura appears as an inscrutable character.

He speaks with excessive familiarity, yet there is a sense of danger lingering about him.

It feels like he is reminiscing, but it is unclear when these events took place. He closes the distance without us knowing if he is happy or angry.

This sense of being an outsider makes the entire sketch unsettling and compelling.

Even though he is smiling, there is a sense of danger, and the audience watches from the same perspective as Kotoge, feeling the anxiety of
"How far will this person push?"
as they watch.


The misalignment of their relationship creates laughter and fear

The appeal of "Graduate" lies in the fact that the relationship between the two remains unresolved as the sketch progresses.

Kotoge is constantly trying to grasp the situation, but Nishimura keeps dismantling it.

He is overly familiar, yet their reminiscences do not align. The sense of distance is broken from the very beginning.

As these misalignments pile up, a sense of impatience is born alongside the laughter.
The audience is drawn deep into the world of the story without knowing what will happen next.

This structure is a sophisticated technique that generates laughter while maintaining a tension similar to horror or suspense.

It condenses the unique appeal of a sketch, which is different from manzai.


Emotional explosion as the climax

In the second half, Kotoge finally lets his emotions explode.

Because the restraint and bewilderment leading up to this explosion are carefully built up, the emotional range feels extremely wide.

It is precisely because of this buildup that his shouting becomes the peak of the sketch, intensely captivating the audience.

Bewilderment, confusion, fear, and explosion. By having one actor skillfully perform this flow, "Graduate" gains the depth of a full-fledged drama.


The prototype of "What a day" was already contained within "Graduate"

Speaking of Viking, the phrase
'What a day!'
which was born from the 'Homecoming' sketch performed in the final stage, later became his signature line.

However, in fact, similar shouts were already incorporated into the 'Graduate' sketch as a precursor.

・What should I say!
・What the hell!

These are not coincidences; they are likely the type of words that allow Kotoge-san to easily convey his emotions.

Words that slip out the moment he is cornered and his emotions reach a breaking point.

That rhythm and momentum are the origins of the phrase that would later become his signature.


In conclusion

The reason 'Graduate' is called a masterpiece lies in its simple yet flawless structure and the high level of acting by the two.

・Kotoge-san's confusion and explosion
・Nishimura-san's sense of being an outsider and his destruction of personal space
・Suspenseful humor created by the misalignment of their relationship

These elements intertwine exquisitely within four minutes, creating the power to immerse the audience in the story.

It is a masterpiece that goes beyond the mere framework of a sketch and fully depicts the fluctuations of the human heart.

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