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Anne Roselle

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Anne Roselle
A sepia-toned photograph of a young Anne Roselle, smiling; her wavy hair is bobbed; she is wearing an embroidered dress with a low square neckline.
Anne Roselle in 1921
Born
Gyenge Anna

(1893-03-20)March 20, 1893
Târgu Secuiesc
DiedJuly 31, 1989(1989-07-31) (aged 96)
Lakeland Florida
Other nameAnna Roselle
OccupationOpera singer
Years active1911–1946 (teaching until 1970)
SpouseÁrpád (David) Rosner

Anne Roselle (born Gyenge Anna; March 20, 1893 – July 31, 1989) was a Hungarian/American operatic dramatic soprano.

Early life

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Gyenge Anna was born on March 20, 1893[1] in Târgu Secuiesc (Kézdivásárhely) in what was Hungary and is now Romania.[2][A] She completed her studies in Csíkszereda (Miercurea Ciuc), Székelyudvarhely (Târgu Secuiesc) and Kolozsvár (Cluj-Napoca). She debuted in Budapest as Iluska in Pongrác Kacsó's "János Vitéz". In 1912, she married the banker Árpád Rosner in Temesvár (Timisoara),[4] and they together moved to the US in this year, with her mother and stepfather.[6][1] Roselle acted in Budapest and studied acting with Szidi Rákosi as a young woman.[7][8] She studied singing with Estelle Liebling in New York City.[9]

Career

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Roselle sang in New York,[10] with the Metropolitan Opera in 1920, as Musetta in La bohème. She debuted on December 4, 1920, at the side of Frances Alda, Beniamino Gigli (his third performance in MET), Antonio Scotti and Adamo Didur.[4] From 1922, she sang for two years with the San Carlo Opera Company,[11][12] was a guest soloist with the Minneapolis Orchestra,[13][14] toured in the central United States in the 1922–1923 season,[15] and the private company of Antonio Scotti [4] then moved back to Europe. She joined the Dresden Opera in 1925 to sing the title role in the first German performance of Puccini's Turandot on the side of Richard Tauber and conducted by Fritz Busch (July 4, 1926). She premiered the first Turandot in the US outside the MET in San Francisco (1927) and next year, the first performance in Verona with Georges Thill (1928).[4] She sang in Budapest, Milan, Vienna, London, Paris and Berlin,[16] and was part of a radio broadcast of Verdi's Un ballo in maschera, with Maria Olszewska.[6] She was also known for singing the title role in Verdi's Aïda and Leonora in Il trovatore, among others.[12][17] eeds URL Roselle returned to the United States late in 1929, and sang at Carnegie Hall.[18] The New York Times reported that "her higher tones are usually produced with fine resonance and color and absolute fidelity to the pitch".[19] In 1931, she starred in the first United States performance of Wozzeck, with the Philadelphia Orchestra, under the direction of Leopold Stokowski, and in the MET, as her last appearance there.[4] Also in 1931, she performed the first German-language version in America of Richard Strauss's Elektra in the US, conducted by Fritz Reiner, casting also Margarete Matzenauer, Charlotte Boerner and Nelson Eddy.[4]

She regularly sang in Budapest between 1926–1938, where she was a company member in 1936/1937. Her roles covered a rarely seen repertoire from Mozart's Constanze to Turandot, and also Nedda and Santuzza (after each other), Butterfly, Margit (Faust), Tosca, Leonore (Il Trovatore), Elisabeth (Tannhäuser), Saffi (Der Zigeunerbaron), Mimi, Desdemona and Donna Anna. In 1936, she went to a tour to her native land Transilvania with a selection of Kodály's Hungarian Folk Songs, and toured to Hungarian cities like Szeged, Miskolc, Nagykanizsa, Debrecen. In 1935, she got a role in the film 'Halló, Budapest'.[4]

In 1934, she was back at Carnegie Hall, in Orfeo ed Euridice.[20] and went to London to sing Turandot [21] with her partners Eide Norena, Armand Tokatyan and Ezio Pinza.[4]

Her possible last appearance on a staged full opera was in 1941, in Mozart's Don Giovanni, with her partners Ezio Pinza, Tito Schipa, Margit Bokor, Lőrincz Alváry, conducted by László Halász. There is a 35 minute long recording of this performance. Until 1946, she sang arias at various concerts, too.[4]

In 1946, she sang in a diverse 'pop' concert at Carnegie Hall, sharing the program with Hungarian pianist Ernö Balogh, Huddie Ledbetter, Mary Lou Williams, Tom Scott, Susan Reed, and others.[22] She gave a recital in 1948 at New York's Town Hall performance space.[23] She recorded opera arias and songs by Schubert and Hungarian composers to 26 LP discs.

After she retired from the stage, Roselle taught voice in Philadelphia.[6][1] She was artist-in-residence at Florida Southern College in her later years, until she retired from teaching in 1967.[24]

Roselle made several recordings in Berlin in the 1920s.[25] In 1934, she gave an interview decrying the effect of recorded music on live music.[26] In 1971, she gave another interview, grateful to revisit the past through recordings.[24]

Anne Roselle made her first recordings under her birthname Anna Gyenge for Victor (Camden 1916–17), then followed records for Polydor (Berlin 1926–28 and Paris 1932). In 1948 she recorded in New York for Continental and Remington.

Personal life

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In 1912, Roselle married a Hungarian banker, Árpád (later David in America) Rosner; they had a son, George.[27][24] She was widowed when Rosner died in 1956; she lived in a nursing home in Lakeland, Florida in her later years.[28] She died in Lakeland on July 31, 1989 at the age of 96.[5][1]

Notes

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  1. ↑ Some sources such as Grove Music Online and the Großes Sängerlexikon state she was born in Budapest.[3][1] Grove Music Online gives her date of birth as March 20, 1893,[1] and the Grosses Sängerlexikon March 20, 1894.[3] The Hungarian Biographical Lexicon contradicts both of these stating she was born on April 19, 1890 in Târgu Secuiesc.[2] However, primary sources support the date of birth of March 20, 1893 found in Grove Music Online, but not in the city of Budapest as indicated in Grove, but in Târgu Secuiesc.[4] The date in 1893 also places her age at 96 when she died on July 31, 1989, which is the age given in her published obituary in the Tampa Tribune.[5]

References

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  1. 1 2 3 4 5 6 Steane, J. B. (2002). "Roselle, Anne [Gyenge, Anna]". Grove Music Online. Oxford University Press. doi:10.1093/gmo/9781561592630.article.O904378.(subscription required)
  2. 1 2 Kenyeres, Ágnes, ed. (1994). "Gyenge Anna, miklósvári, Anne Roselle". Magyar életrajzi lexikon (Hungarian Biographical Lexicon). Akadémiai Kiadó. Retrieved August 30, 2026 – via arcanum.com.
  3. 1 2 Kutsch, K. J.; Riemens, Leo (2003). "Roselle, Anna". In Rost, Hansjörg (ed.). Grosses Sängerlexikon. K. G. Saur Verlag. p. 4009. ISBN 9783598440885.
  4. 1 2 3 4 5 6 7 8 9 10 "Elfeledett magyar énekesek – Gyenge Anna". Caruso. December 19, 2012. Retrieved November 28, 2020.
  5. 1 2 "Anne R. Rosellle". The Tampa Tribune. August 1, 1989. p. 65.
  6. 1 2 3 Suhm-Binder, Andrea. "Roselle, Anne". Cantabile-Subito. Retrieved June 10, 2020.
  7. ↑ "Anne Roselle". The Butte Miner. April 30, 1923. p. 6. Retrieved June 10, 2020 – via Newspapers.com.
  8. ↑ "Child's Experiences Remembered Help Make Child Better Mother". The Times. May 16, 1927. p. 10. Retrieved June 10, 2020 – via Newspapers.com.
  9. ↑ Dean Fowler, Alandra (1994). Estelle Liebling: An exploration of her pedagogical principles as an extension and elaboration of the Marchesi method, including a survey of her music and editing for coloratura soprano and other voices (PhD). University of Arizona.
  10. ↑ Frank, Tibor (December 31, 2008). Double Exile: Migrations of Jewish-Hungarian Professionals Through Germany to the United States, 1919-1945. Peter Lang. p. 232. ISBN 978-3-03911-331-6.
  11. ↑ Klein, Hermann (August 30, 1923). "Some of the Stars that Will Shine in the San Carlo Operatic Firmament!". Musical Courier. 87: 9. ISBN 9780931340185. {{cite journal}}: ISBN / Date incompatibility (help)CS1 maint: periodical has ISBN (link)
  12. 1 2 "Roselle Repeats Triumphs in Boston". Musical Courier. 87: 26. December 6, 1923.
  13. ↑ "Anne Roselle a Busy Artist". Musical Courier. 85: 40. August 10, 1922.
  14. ↑ "Minneapolis Orchestra Plans Are Announced". Musical Courier. 85: 29. September 14, 1922.
  15. ↑ "Anne Roselle's Success at Wellsville Recital". Musical Courier. 85: 38. November 2, 1922.
  16. ↑ "Anne Roselle to Star in Italy". The Fresno Morning Republican. October 7, 1928. p. 22. Retrieved June 10, 2020 – via Newspapers.com.
  17. ↑ "Anne Roselle Sings Aida". The New York Times. September 24, 1925. p. 29.
  18. ↑ "Event: Anne Roselle, Soprano". Carnegie Hall. Retrieved June 10, 2020.
  19. ↑ "Anne Roselle in Recital". The New York Times. October 26, 1929. p. 14.
  20. ↑ "Anne Roselle in 'Orfeo'". The New York Timest. December 9, 1934. p. N6.
  21. ↑ "'Lohengrin' is Sung by Gallo Company". The New York Timest. March 3, 1934. p. 8.
  22. ↑ "Balogh at 'Pop' Concert". The New York Times. June 5, 1946. p. 32.
  23. ↑ "Roselle is Heard in Song Recital". The New York Times. March 25, 1948. p. 34.
  24. 1 2 3 Luhrs, Dolly (December 23, 1971). "Music of Past Being Relived Through Electronics". The Tampa Tribune. p. 6. Retrieved June 10, 2020 – via Newspapers.com.
  25. ↑ Klein, Hermann (1990). Herman Klein and the Gramophone: Being a Series of Essays on the Bel Canto (1923), the Gramophone and the Singer (1924–1934), and Reviews of New Classical Vocal Recordings (1925–1934), and Other Writings from the Gramophone. Hal Leonard Corporation. p. 403. ISBN 978-0-931340-18-5.
  26. ↑ Gilbert, Douglas (July 22, 1934). "Canned Music Threatens to Ruin Careers of Many Preparing for the Opera, Anne Roselle Protests". The Oklahoma News. p. 8. Retrieved June 10, 2020 – via Newspapers.com.
  27. ↑ "Anne Roselle Delightfully Surprised". Musical Courier. 85: 32. September 14, 1922.
  28. ↑ Egner, Diane (March 8, 1982). "Opera Star Recalls Glory Days". The Tampa Tribune. p. 15. Retrieved June 10, 2020 – via Newspapers.com.

Literature

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  • Jim McPherson: Anne Roselle in "The Record Collector Vol. 47 No. 4, December 2002
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