A Chorus of Raspberries: British Film Comedy 1929-1939A Chorus of Raspberries is the first full-length academic study of one of the most popular, profitable and persistent genres in British cinema. It redraws the map of British film history by arguing that comedy was the most successful, and perhaps the most important, genre of the 1930s, and that the very qualities which ensured the comedy film's low status are also its particular strengths. In the process it uncovers a whole tradition of popular cinema which criticism has relegated to the sidelines of history. The book looks in detail at the work of a number of key stars, including George Formby, Gracie Fields, The Crazy Gang, Cicely Courtneidge and Ernie Lotinga, revealing the wide range of comic styles and meanings they produced in seemingly formulaic films. It unearths a host of previously forgotten but notable films, and an important tradition in British popular culture, tracing the roots of the genre to its music-hall beginnings. Includes George Formby, Gracie Fields, The Crazy Gang First full-length study of the subject Will appeal to those studying popular culture and film history Market: Scholars and students of film studies, popular culture, media studies, especially those taking courses on British cinema. Academic libraries. The general reader with an interest in twentieth-century popular culture and British cinema. |
Contents
British Film ComedyBritish Film Culture | 7 |
Theorizing British Comedy | 23 |
Good Old Days MusicHall Roots | 64 |
Copyright | |
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Common terms and phrases
aesthetic Aldwych American Arthur audiences Balcon Betty Britain British & Dominions British cinema British comedy films British films British Lion Cast character Cicely Courtneidge classical Claude Hulbert comedian comedy comedy's comic performance conventions Crazy Gang critical culture Director discourses dominant Ealing entertainment Ernie Lotinga farce film comedy Film Weekly film-making film's Fred Gainsborough Garry Marsh Gaumont-British Gene Gerrard genre George Formby George's Gordon Harker Gracie Fields Gus McNaughton Harry Hay's Henry Kendall Hollywood humour Ibid industry Jack Buchanan Jack Hobbs Jack Hulbert Jessie Matthews Jimmy John Josser kind Kine Weekly Korda Leslie Fuller London Maclean Rogers middle-class Monty Banks Moore Marriott music hall music-hall narrative persona play popular production quota Ralph Lynn realism Robertson Hare screen sense sexual social sound stage Stanley Lupino stars studios style success Sydney Howard Tom Walls tradition variety Wally Patch Walter Forde Warner working-class
References to this book
John Mills and British Cinema: Masculinity, Identity and Nation Gill Plain No preview available - 2006 |



