– Independent “Da Vinci Code” researcher

– Pyramid and sacred-geometry researcher

– Researcher and practitioner of traditional Japanese martial arts (kobujutsu)

Here’s an English version in a style that would feel natural as a personal intro from an American writer/researcher:

⸻

My whole journey started with the Pyramids of Giza, one of the Seven Wonders of the Ancient World.

I was completely hooked the moment I learned about them. Since then, I’ve spent years chasing what you might call a real-life “Da Vinci Code” hidden in their design.

Over time, digging through books, maps, and way too many scribbled notes, I began to notice something strange: the math behind the pyramids seems to “invite” the number π, and even the shapes of our modern Arabic numerals looked, to me, like they might be echoing the internal structure of a pyramid.

For me, that wasn’t an answer—it was a doorway.

Why does a four-sided pyramid keep leading back to circles and π? As I kept working through that question, I started to see connections to what people usually call “numerology” or “number divination.” Hidden inside the geometry, I kept running into patterns: so-called “sacred numbers” like 358, and clues that felt like they could unlock the kind of secret codes people say Leonardo da Vinci hid in his paintings.

At some point, all these notes and diagrams stopped feeling like “just research” and started to feel like stories. I wanted to share the process itself—the surprises, the dead ends, the weird coincidences. That’s when I began writing online fiction and posting short stories based on my findings.

It was my very first try at fiction, but I ended up publishing around ten short pieces.

Then my research took another leap forward. I got new insights, and my whole perspective shifted. When that happened, I realized that if I kept those early stories up, they no longer matched what I’d discovered. So I made a pretty drastic choice: I unpublished everything and decided to start over from zero.

Right now, I’m rebuilding those worlds from scratch—this time weaving in both the hard math and the more spiritual side of the ideas that have come out of the pyramid work.

At the core of my research is the relationship between “numbers” and “shapes.”

One of my working conclusions is that the forms of the digits 1 through 9 can be derived from a structural formula based on a pyramid. When I follow the equations through, they actually sketch out visual patterns that match the digits themselves. Those patterns obey a very consistent internal logic.

After analyzing this system mathematically, I gave it a nickname: “Super Lucky Numbers.”

For me, it’s a method—using numbers as keys to read hidden structures in space, time, and, sometimes, in a person’s life path. Think of it as a way of turning numbers into a kind of map.

Testing this “Super Lucky Numbers” idea pulled me into another rabbit hole: history.

As I overlaid these lines and patterns onto real maps, I started finding hints that powerful warlords and leaders in the past might have noticed similar relationships, and used them when they chose locations for castles, roads, or political centers. Because the formulas can be drawn as clean geometric diagrams, they can pinpoint “power spots” on a modern map down to meter-level precision.

So this stopped being just about picking “lucky directions.” It began to look like a possible lens for re-reading historical events and city planning from a completely different angle.

Then came another surprise.

When I checked these patterns against multiple modern city maps, some of the straight lines generated by the formula lined up with real highways—specifically, with roads that shared the same route number as the number in the formula. Not just once, but in several different places.

Whether that’s coincidence or design is up for debate, of course. But to me, it suggests that these “Super Lucky Numbers” might not just belong to the past. They might still be quietly written into the way our cities are laid out today.

Right now, I’m in the process of turning all of this into e-books:

stories that mix fiction and research, where pyramids, numbers, and historical geography all end up on the same stage. My goal is to create books that you can enjoy as mystery novels, and read as a kind of narrative research log.

So that’s where I am these days—wandering back and forth between numbers, history, and storytelling, trying to map out the strange little borderland where all three overlap.